Darwinian Narratives: Cultural Impact and Reconsideration

The rise in the West of religious unbelief and its sometimes companions, relativism and nihilism, has been widely noted. Dostoyevsky’s famous dictum, “Without God, everything is permissible,” has in many quarters been taken as more recommendation than warning. The causes behind this trend are surely complex, but a key accelerant appears to have been the triumph of Darwin’s theory of evolution, in its original and now updated forms. Taken to its logical conclusions, the theory, together with part of its methodological apparatus (methodological naturalism), would seem to drain physical reality of meaning and humans of free will, significance, and higher purpose. Atheist philosopher Daniel Dennett called it a “universal acid.” The subject is one that could fill many books. One manageable way of rendering the subject manageable in a single paper is by considering key narratives that buttress Darwinian theory and by tracing the theory’s impact on the narrative arts of literature and film. How have Christians in the academy responded to modern evolutionary theory’s impact on the culture? One response has been to graft it onto Christianity in the hopes of neutralizing the theory’s more pernicious cultural implications. In practice, such attempts have tended to fundamentally alter either modern evolutionary theory or Christianity or both. Before attempting any such union, we would do well to revisit the foundations of the theory.