Bad Apples on Rotten Tomatoes: Critics, Crowds, and Gender Bias in Product Ratings

Consumers considering the purchase of experience goods can rely on both critics and crowd-based evaluations to guide their decisions. Because of divergent incentives, however, critics and crowd assessments may incorporate different information. In the context of the movie industry, I investigate whether crowd reviewers provide gender-neutral product evaluations relative to professional critics. I classify movies as male or female based on the gender composition of their cast and estimate how the gender gap in movie rating scores differs across critics and crowds. Results show that although critics tend to assess both male and female movies similarly, the gender gap in ratings increases substantially under crowd-based ratings and at the expense of female movies. Notably, female movies receive a higher proportion of extremely low ratings, predominantly from male crowd reviewers. Using a rating design change implemented by the review-aggregating platform Rotten Tomatoes, results indicate that this overall increase in gender inequality is driven by a selected group of online reviewers rather than by a general bias against movies with more prominent female presence. These findings have important implications for the gatekeeping role of review-aggregating platforms in reducing bias against female representation in product ratings.

Publication Details

Journal
Universität Zürich, ZORA
Published
2024-11-26
DOI
https://doi.org/10.5167/uzh-281858
Primary Topic
Digital Marketing and Social Media
Type
article
Field-Weighted Citation Impact
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article

Bad Apples on Rotten Tomatoes: Critics, Crowds, and Gender Bias in Product Ratings

Universität Zürich, ZORA
Digital Marketing and Social Media
article

Bad Apples on Rotten Tomatoes: Critics, Crowds, and Gender Bias in Product Ratings

article en

Abstract

Consumers considering the purchase of experience goods can rely on both critics and crowd-based evaluations to guide their decisions. Because of divergent incentives, however, critics and crowd assessments may incorporate different information. In the context of the movie industry, I investigate whether crowd reviewers provide gender-neutral product evaluations relative to professional critics. I classify movies as male or female based on the gender composition of their cast and estimate how the gender gap in movie rating scores differs across critics and crowds. Results show that although critics tend to assess both male and female movies similarly, the gender gap in ratings increases substantially under crowd-based ratings and at the expense of female movies. Notably, female movies receive a higher proportion of extremely low ratings, predominantly from male crowd reviewers. Using a rating design change implemented by the review-aggregating platform Rotten Tomatoes, results indicate that this overall increase in gender inequality is driven by a selected group of online reviewers rather than by a general bias against movies with more prominent female presence. These findings have important implications for the gatekeeping role of review-aggregating platforms in reducing bias against female representation in product ratings.

Universität Zürich, ZORA
Gender equality
Openalex Percentile: Top 24%
Digital Marketing and Social Media
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