Between identity and variation: notes on the translation of the Bible du XIIIe siècle (with regard also to other Romance language versions of the Bible)

Corpus Masoreticum Working Papers 15 The article aims to verify the degree of translation homogeneity of a basket of selected lemmas from the Bible du XIIIe siècle. This should contribute to the resolution of one of the basic questions that have been raised about this important medieval translation of the Bible: namely, how was it achieved? Is it – as it is claimed – the result of collective work with a clearly visible breakdown? Our analysis will focus first on the music-related headwords (as they could be potentially problematic for a medieval translator), and then cross-reference the data with those of other special cases already highlighted by previous studies. As we shall show, the observation of all the different occurrences of these chosen lemmas makes it possible to identify precise stitches that might correspond to a change of hand (and thus of translator, or textual source).

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Publication Details

Journal
University Library Heidelberg
Published
2026-01-13
DOI
https://doi.org/10.48628/cmwp.2026.5.114868
Primary Topic
Medieval European Literature and History
Type
article
Field-Weighted Citation Impact
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article

Between identity and variation: notes on the translation of the Bible du XIIIe siècle (with regard also to other Romance language versions of the Bible)

Roberta Decolle
University Library Heidelberg
Medieval European Literature and History
article

Between identity and variation: notes on the translation of the Bible du XIIIe siècle (with regard also to other Romance language versions of the Bible)

Roberta Decolle
article en

Abstract

Corpus Masoreticum Working Papers 15 The article aims to verify the degree of translation homogeneity of a basket of selected lemmas from the Bible du XIIIe siècle. This should contribute to the resolution of one of the basic questions that have been raised about this important medieval translation of the Bible: namely, how was it achieved? Is it – as it is claimed – the result of collective work with a clearly visible breakdown? Our analysis will focus first on the music-related headwords (as they could be potentially problematic for a medieval translator), and then cross-reference the data with those of other special cases already highlighted by previous studies. As we shall show, the observation of all the different occurrences of these chosen lemmas makes it possible to identify precise stitches that might correspond to a change of hand (and thus of translator, or textual source).

University Library Heidelberg
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Medieval European Literature and History
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