The Suicidal Archive: From Di Benedetto’s Los suicidas to Guerriero’s Los suicidas del fin del mundo

This essay offers a comparative reading of Antonio Di Benedetto’s Los suicidas and Leila Guerriero’s Los suicidas del fin del mundo through the lens of the “suicidal archive.” Drawing on literary criticism, trauma studies, and biopolitical theory, it explores how both works transform suicide into a problem of representation, where writing functions as an aesthetic mediation against the chaos of reality. In dialogue with the ideas of Mbembe, De Martelaere, and Caruth, I argue that Di Benedetto and Guerriero move beyond the rational frameworks of scientific or journalistic discourse to probe the ethical and affective dimensions of suicidal acts. While Di Benedetto’s text renders repetition as a metaphysical and introspective structure, Guerriero’s transforms it into a collective, polyphonic archive of trauma. In both cases, literature emerges as a symbolic space of containment that, rather than closing off meaning, keeps the wound open. Ultimately, the essay concludes that the suicidal archive does not seek to explain or domesticate death but to inhabit its enigma—affirming writing as an act of resistance against silence and disappearance.