A Medium for Chanting the Buddha’s Name for Rebirth in the Pure Land: The Woodblock Print of Kwŏnsu-Chŏngŏp-Wangsaeng-Ch’ŏpkyŏngdo in Chosŏn Korea

This study examines the Kwŏnsu-chŏngŏp-wangsaeng-ch’ŏpkyŏngdo (勸修淨業往生捷徑圖), a woodblock print created for Pure Land practice during the Chosŏn period. The print served as material evidence demonstrating how Pure Land faith developed within Chosŏn Buddhism, which consolidated various schools under the Sŏn tradition while integrating doctrinal studies and Pure Land faith. Through iconographic analysis of the transformation tableau and examination of its publication colophon, this paper explores how yŏmbul-Sŏn practice evolved from the early Chosŏn period and how this print functioned as a practical medium for daily Buddha recitation practice. The study argues that the Kwŏnsu-chŏngŏp-wangsaeng-ch’ŏpkyŏngdo represents empirical evidence of the synthesis between Sŏn meditation and Pure Land faith, demonstrating the inclusive approach of Chosŏn Buddhist masters who accepted both Mind-Only Pure Land and Western Pure Land concepts for the purpose of widespread religious instruction.