A Multi-Scale Anatomical Wood Identification Approach Applied to Traditional Japanese Chord Instruments

Accurate wood identification is fundamental to any study, conservation, or restoration activity involving cultural heritage objects, including musical instruments. Here, we apply WoodScope, a structured, multi-scale and minimally invasive workflow for wood identification, to three traditional Japanese chord instruments, showing how a systematic sequence of visual, macroscopic, and microscopic observations maximizes diagnostic accuracy while safeguarding object integrity. The results show that out of 39 wooden parts analysed, 38 were identified non-invasively. In one case, targeted micro-sampling was performed, based on macroscopic observation, to obtain additional information. Overall, our results confirm that most instrument components can be reliably identified at the genus level or, when diagnostic characters are insufficient, to broader anatomical groups, without the need for destructive sampling. Our study demonstrates the efficacy of the WoodScope approach to optimise wood identification outcomes while preserving the object’s integrity and confining micro-targeted sampling to instances where microscopic anatomical characters are indispensable for reliable taxonomic identification and cannot be evaluated non-invasively.

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Publication Details

Journal
Forests
Published
2026-01-15
DOI
https://doi.org/10.3390/f17010122
Primary Topic
Wood and Agarwood Research
Type
article
Field-Weighted Citation Impact
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article

A Multi-Scale Anatomical Wood Identification Approach Applied to Traditional Japanese Chord Instruments

Aurora Canepari, Flavio Ruffinatto, Alan Crivellaro, Simonetta Capetta
Forests
Wood and Agarwood Research
article

A Multi-Scale Anatomical Wood Identification Approach Applied to Traditional Japanese Chord Instruments

Aurora Canepari, Flavio Ruffinatto, Alan Crivellaro, Simonetta Capetta
article en

Abstract

Accurate wood identification is fundamental to any study, conservation, or restoration activity involving cultural heritage objects, including musical instruments. Here, we apply WoodScope, a structured, multi-scale and minimally invasive workflow for wood identification, to three traditional Japanese chord instruments, showing how a systematic sequence of visual, macroscopic, and microscopic observations maximizes diagnostic accuracy while safeguarding object integrity. The results show that out of 39 wooden parts analysed, 38 were identified non-invasively. In one case, targeted micro-sampling was performed, based on macroscopic observation, to obtain additional information. Overall, our results confirm that most instrument components can be reliably identified at the genus level or, when diagnostic characters are insufficient, to broader anatomical groups, without the need for destructive sampling. Our study demonstrates the efficacy of the WoodScope approach to optimise wood identification outcomes while preserving the object’s integrity and confining micro-targeted sampling to instances where microscopic anatomical characters are indispensable for reliable taxonomic identification and cannot be evaluated non-invasively.

ForestsVol. 17(1)
Ştefan cel Mare University of Suceava (RO), Department of Cultural Heritage (LT), University of Turin (IT)
Sustainable cities and communities
Openalex Percentile: Top 88%
Wood and Agarwood Research
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