The Jim Crow railroad bildungsroman

In this article I explore the interrelationship between the Jim Crow railroad car and the bildungsroman in early twentieth-century African American fiction. My article pairs James Weldon Johnson’s The Autobiography of an Ex-Coloured Man with Langston Hughes’s Not Without Laughter to make the argument that both authors understand anti-Black racism as infrastructural, a circulation system that is maintained through infrastructures such as the railroad. I argue that these novels understand the bildungsroman as a narrative infrastructure that is involved in the twinned projects of nationalist consolidation and anti-Black violence. In taking this line of critique, I position both Johnson and Hughes as anticipating and reorganising much of the contemporary literary theory that has coalesced around critical infrastructure studies, while also providing an account of an understudied aspect of the modern African American novel more generally.

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Publication Details

Journal
Textual Practice
Published
2026-01-15
DOI
https://doi.org/10.1080/0950236x.2025.2608848
Primary Topic
Literature: history, themes, analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

The Jim Crow railroad bildungsroman

Henry Ivry
Textual Practice
Literature: history, themes, analysis
article

The Jim Crow railroad bildungsroman

Henry Ivry
article en

Abstract

In this article I explore the interrelationship between the Jim Crow railroad car and the bildungsroman in early twentieth-century African American fiction. My article pairs James Weldon Johnson’s The Autobiography of an Ex-Coloured Man with Langston Hughes’s Not Without Laughter to make the argument that both authors understand anti-Black racism as infrastructural, a circulation system that is maintained through infrastructures such as the railroad. I argue that these novels understand the bildungsroman as a narrative infrastructure that is involved in the twinned projects of nationalist consolidation and anti-Black violence. In taking this line of critique, I position both Johnson and Hughes as anticipating and reorganising much of the contemporary literary theory that has coalesced around critical infrastructure studies, while also providing an account of an understudied aspect of the modern African American novel more generally.

Textual Practice
University of Glasgow (GB)
Openalex Percentile: Top 89%
Literature: history, themes, analysis
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