“Rise of the Resistance” and the Demise of Social Being: The Autolysis of Subjectivity in the Twenty-First Century

Structural transformations in the 21st century necessitate radical rethinking of the category of subject that underlie the notions of autonomy, agency and individuality. This paper depicts an onto-genetic transformation of the subject— its autolysis—in the historical present by building on representations and the mediation of categories of social life. The paper first delineates the notion of representation as a central element of critical ontology as a form of social theory by building on Hegel and Durkheim. It then draws on a recent product from the culture industry, namely The Disneyland theme-park ride called “Rise of the Resistance,” which involves a representation that has a significant illustrative value for apprehending contemporary form of subjectivity, and asserts that critical ontology that builds on representations points to onto-genetic transformation of subject, its autolysis, in the historical present.

Authors

Publication Details

Journal
Fast Capitalism
Published
2026-01-13
DOI
https://doi.org/10.32855/1930-014x.1064
Primary Topic
Posthumanist Ethics and Activism
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

“Rise of the Resistance” and the Demise of Social Being: The Autolysis of Subjectivity in the Twenty-First Century

Reha Kadakal
Fast Capitalism
Posthumanist Ethics and Activism
article

“Rise of the Resistance” and the Demise of Social Being: The Autolysis of Subjectivity in the Twenty-First Century

Reha Kadakal
article en

Abstract

Structural transformations in the 21st century necessitate radical rethinking of the category of subject that underlie the notions of autonomy, agency and individuality. This paper depicts an onto-genetic transformation of the subject— its autolysis—in the historical present by building on representations and the mediation of categories of social life. The paper first delineates the notion of representation as a central element of critical ontology as a form of social theory by building on Hegel and Durkheim. It then draws on a recent product from the culture industry, namely The Disneyland theme-park ride called “Rise of the Resistance,” which involves a representation that has a significant illustrative value for apprehending contemporary form of subjectivity, and asserts that critical ontology that builds on representations points to onto-genetic transformation of subject, its autolysis, in the historical present.

Fast CapitalismVol. 21(1)
Openalex Percentile: Top 91%
Posthumanist Ethics and Activism
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.