Making Our Own Ecosystem

Abstract: A conversation took place between three generations of Black women in the country music business who are committed to creating and sustaining equitable pathways for country artists, fans, and members of the music business. Their shared dedication to fighting for collective rather than personal struggles is one that echoes other historic civil rights and liberation movements. Their labor and perspectives offer visions for an alternative imagination that emphasizes communal well-being, providing lessons that reach far beyond country music. In a post– Cowboy Carter moment, when mainstream conversations have again been renewed about the past and present Black presence in country music, their joint, multigenerational experiences speak to what has and has not changed in Nashville, the center of the country music industry, over the past several decades, and where hope rests for the future of Black country music.

Authors

Publication Details

Journal
Southern cultures
Published
2025-12-01
DOI
https://doi.org/10.1353/scu.2025.a979731
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Making Our Own Ecosystem

G Holly, Rissi Palmer, Amanda Marie Martinez, Frankie Staton
Southern cultures
Music History and Culture
article

Making Our Own Ecosystem

G Holly, Rissi Palmer, Amanda Marie Martinez, Frankie Staton
article en

Abstract

Abstract: A conversation took place between three generations of Black women in the country music business who are committed to creating and sustaining equitable pathways for country artists, fans, and members of the music business. Their shared dedication to fighting for collective rather than personal struggles is one that echoes other historic civil rights and liberation movements. Their labor and perspectives offer visions for an alternative imagination that emphasizes communal well-being, providing lessons that reach far beyond country music. In a post– Cowboy Carter moment, when mainstream conversations have again been renewed about the past and present Black presence in country music, their joint, multigenerational experiences speak to what has and has not changed in Nashville, the center of the country music industry, over the past several decades, and where hope rests for the future of Black country music.

Southern culturesVol. 31(4)
Gender equality
Openalex Percentile: Top 17%
Music History and Culture
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