Daoist Philosophy and Stephen Mitchell’s <em>The Frog Prince: A Fairy Tale for Consenting Adults</em>

In 1999, Stephen Mitchell published The Frog Prince: A Fairy Tale for Consenting Adults, in which he added “a good deal of background materials” and “a certain number of necessary explanations” to the “six-and-a-half-minute” world-famous Grimms’ fairy tale The Frog Prince, making it a psychological and philosophical novella. This paper illustrates how Daoist philosophy is entailed in Stephen Mitchell’s Frog Prince by analyzing the protagonists’ practice of Daoist philosophy: the Princess’s pursuit of a Daoist natural, simple and carefree life; the Frog’s transformation from an ugly frog to a handsome prince by practicing meditation; and the King’s love of Daoism, and governance of both his kingdom and his royal family in accordance with Daoist philosophy. The authors argue that Stephen Mitchell is not simply expanding and deepening the fairy tale by adding Daoist elements, he is also expounding the Daoist philosophy by means of a fairy tale.

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Publication Details

Journal
CLCWeb Comparative Literature and Culture
Published
2026-01-12
DOI
https://doi.org/10.7771/1481-4374.3935
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

Daoist Philosophy and Stephen Mitchell’s The Frog Prince: A Fairy Tale for Consenting Adults

Senlin Yu, Yunfei Yu
CLCWeb Comparative Literature and Culture
Chinese history and philosophy
article

Daoist Philosophy and Stephen Mitchell’s The Frog Prince: A Fairy Tale for Consenting Adults

Senlin Yu, Yunfei Yu
article en

Abstract

In 1999, Stephen Mitchell published The Frog Prince: A Fairy Tale for Consenting Adults, in which he added “a good deal of background materials” and “a certain number of necessary explanations” to the “six-and-a-half-minute” world-famous Grimms’ fairy tale The Frog Prince, making it a psychological and philosophical novella. This paper illustrates how Daoist philosophy is entailed in Stephen Mitchell’s Frog Prince by analyzing the protagonists’ practice of Daoist philosophy: the Princess’s pursuit of a Daoist natural, simple and carefree life; the Frog’s transformation from an ugly frog to a handsome prince by practicing meditation; and the King’s love of Daoism, and governance of both his kingdom and his royal family in accordance with Daoist philosophy. The authors argue that Stephen Mitchell is not simply expanding and deepening the fairy tale by adding Daoist elements, he is also expounding the Daoist philosophy by means of a fairy tale.

CLCWeb Comparative Literature and CultureVol. 26(4)
Openalex Percentile: Top 92%
Chinese history and philosophy
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