Prognosis and scientific imagination in the work of Jane Webb Loudon (1800–1858)

Prognosis is an important aspect of any scientific culture. Speculation and imagination about future knowledge, social organization and technology pervade the practice of science and lend it aim and direction (or at least the appearance of direction). This article is about the development of prognosis in the fiction and popular-scientific writing of Jane Webb Loudon (1800-58), a writer familiar within the history of science for her publications in botany and gardening, if not for her romantic novel <i>The Mummy!</i>, one of the earliest examples of the genre later known as science fiction. I argue that Webb Loudon viewed scientific activity as declining and flourishing throughout human history, and that she anticipated the science of her time would 'resuscitate' knowledge and even political structures of past eras (like ancient Egypt). Following the work of Jim Endersby and other historians of science who have worked to reintegrate the role of fiction in our understanding of science culture, I argue that Webb Loudon's efforts to promote and diffuse her understanding of science and its relation to the future (and past) ought be viewed as informing the cultural meaning of science in the nineteenth century.

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Publication Details

Journal
The British Journal for the History of Science
Published
2026-01-13
DOI
https://doi.org/10.1017/s0007087425101866
Primary Topic
History of Science and Natural History
Type
article
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article

Prognosis and scientific imagination in the work of Jane Webb Loudon (1800–1858)

John Lidwell-Durnin
The British Journal for the History of Science
History of Science and Natural History
article

Prognosis and scientific imagination in the work of Jane Webb Loudon (1800–1858)

John Lidwell-Durnin
article en

Abstract

Prognosis is an important aspect of any scientific culture. Speculation and imagination about future knowledge, social organization and technology pervade the practice of science and lend it aim and direction (or at least the appearance of direction). This article is about the development of prognosis in the fiction and popular-scientific writing of Jane Webb Loudon (1800-58), a writer familiar within the history of science for her publications in botany and gardening, if not for her romantic novel <i>The Mummy!</i>, one of the earliest examples of the genre later known as science fiction. I argue that Webb Loudon viewed scientific activity as declining and flourishing throughout human history, and that she anticipated the science of her time would 'resuscitate' knowledge and even political structures of past eras (like ancient Egypt). Following the work of Jim Endersby and other historians of science who have worked to reintegrate the role of fiction in our understanding of science culture, I argue that Webb Loudon's efforts to promote and diffuse her understanding of science and its relation to the future (and past) ought be viewed as informing the cultural meaning of science in the nineteenth century.

The British Journal for the History of Science
University of Exeter (GB)
Openalex Percentile: Top 92%
History of Science and Natural History
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Prognosis and scientific imagination in the work of Jane Webb Loudon (1800–1858) — John Lidwell-Durnin · The British Journal for the History of Science (2026) | TGRS Research Map | TGRS