Why Not Theatre’s Mahabharata

Celebrated by both Toronto Theatre Critics and Toronto Alliance for the Performing Arts, Why Not Theatre’s mega production Mahabharata premiered in 2023 after being postponed for the Covid 19 pandemic. This article goes over intercultural and interdisciplinary perspectives highlighting contemporary prerogatives of theatrical adaptation of an Indian epic. It pays particular attention to the role of choreography by Brandy Leary, Ellora Patnaik, and Jay Emmanuel with training within Kalaripayattu, Odissi, and Kathakali respectively.

Authors

Publication Details

Journal
South Asian Dance Intersections
Published
2026-01-05
DOI
https://doi.org/10.55370/sadi.v4i1.2094
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Why Not Theatre’s Mahabharata

Sylvie Belleau
South Asian Dance Intersections
Theatre and Performance Studies
article

Why Not Theatre’s Mahabharata

Sylvie Belleau
article en

Abstract

Celebrated by both Toronto Theatre Critics and Toronto Alliance for the Performing Arts, Why Not Theatre’s mega production Mahabharata premiered in 2023 after being postponed for the Covid 19 pandemic. This article goes over intercultural and interdisciplinary perspectives highlighting contemporary prerogatives of theatrical adaptation of an Indian epic. It pays particular attention to the role of choreography by Brandy Leary, Ellora Patnaik, and Jay Emmanuel with training within Kalaripayattu, Odissi, and Kathakali respectively.

South Asian Dance IntersectionsVol. 4(1)
Openalex Percentile: Top 93%
Theatre and Performance Studies
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Why Not Theatre’s Mahabharata — Sylvie Belleau · South Asian Dance Intersections (2026) | TGRS Research Map | TGRS