Monsters and monstrosity in contemporary Persian literature: The case of Houshang Golshiri’s Hadis-e Māhīgir va Dīv

This paper examines the evolving semantic representation of the “dīv” (monster) in Persian literature, tracing its transformation from classical depictions of malevolence to contemporary portrayals imbued with benevolence. The semantic turn is situated within the broader context of Western modernism’s influence during the Persian Constitutional Revolution, a period when Iranian writers actively sought to redefine cultural and literary paradigms by revisiting myth and mythological figures. Focusing on six contemporary Iranian authors, the study reveals how these writers reappropriate the figure of the monster to challenge established literary patterns and to articulate novel meanings distinct from its traditional evil connotations. Utilizing Emmanuel Levinas’s ethical framework—particularly his concepts of ‘face-to-face encounter,’ ‘vulnerability,’ ‘infinite responsibility,’ and ‘transcendental other’—this research offers an in-depth analysis of Golshiri’s Hadis-e Māhīgir va Dīv to illustrate the ethical dimensions underlying modern interpretations of monstrosity. The findings underscore a significant cultural shift in Persian literature, highlighting the dynamic interplay between tradition and modernity in the rearticulation of mythological narratives.

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Publication Details

Journal
Università degli Studi di Torino
Published
2025-08-09
DOI
https://doi.org/10.13135/1825-263x/12458
Primary Topic
Literature, Magical Realism, García Márquez
Type
article
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article

Monsters and monstrosity in contemporary Persian literature: The case of Houshang Golshiri’s Hadis-e Māhīgir va Dīv

Saman Taheri, Masoud Farahmandfar
Università degli Studi di Torino
Literature, Magical Realism, García Márquez
article

Monsters and monstrosity in contemporary Persian literature: The case of Houshang Golshiri’s Hadis-e Māhīgir va Dīv

Saman Taheri, Masoud Farahmandfar
article en

Abstract

This paper examines the evolving semantic representation of the “dīv” (monster) in Persian literature, tracing its transformation from classical depictions of malevolence to contemporary portrayals imbued with benevolence. The semantic turn is situated within the broader context of Western modernism’s influence during the Persian Constitutional Revolution, a period when Iranian writers actively sought to redefine cultural and literary paradigms by revisiting myth and mythological figures. Focusing on six contemporary Iranian authors, the study reveals how these writers reappropriate the figure of the monster to challenge established literary patterns and to articulate novel meanings distinct from its traditional evil connotations. Utilizing Emmanuel Levinas’s ethical framework—particularly his concepts of ‘face-to-face encounter,’ ‘vulnerability,’ ‘infinite responsibility,’ and ‘transcendental other’—this research offers an in-depth analysis of Golshiri’s Hadis-e Māhīgir va Dīv to illustrate the ethical dimensions underlying modern interpretations of monstrosity. The findings underscore a significant cultural shift in Persian literature, highlighting the dynamic interplay between tradition and modernity in the rearticulation of mythological narratives.

Università degli Studi di Torino
Allameh Tabataba'i University (IR), Shahid Beheshti University (IR)
Peace, Justice and strong institutions
Openalex Percentile: Top 17%
Literature, Magical Realism, García Márquez
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Monsters and monstrosity in contemporary Persian literature: The case of Houshang Golshiri’s Hadis-e Māhīgir va Dīv — Saman Taheri, Masoud Farahmandfar · Università degli Studi di Torino (2025) | TGRS Research Map | TGRS