Akshongay: Then and Now—Intercultural Artistic Duets and the Relational Practice of Collaboration

This article reflects on the creation, evolution, and remounting of Akshongay (Bengali: একসঙ্গে, meaning “together”), a full-length duet that unites Bharatnatyam and Western concert dance, co-created by Toronto-based dance artists Nova Bhattacharya and Louis Laberge-Côté. Their collaboration, which began in 2000, has evolved into a decades-long creative partnership rooted in critical difference, trust, and sustained inquiry. Developed across geographic, cultural, and stylistic borders, Akshongay embodies the possibilities of intercultural duet-making within the broader context of Canadian diasporic performance. In what follows, the artists reflect on their collaborative process, the work’s layered emotional and aesthetic terrain, and the embodied experience of revisiting and remounting the piece over a decade after its premiere.

Authors

Publication Details

Journal
South Asian Dance Intersections
Published
2026-01-05
DOI
https://doi.org/10.55370/sadi.v4i1.2113
Primary Topic
Diversity and Impact of Dance
Type
article
Field-Weighted Citation Impact
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article

Akshongay: Then and Now—Intercultural Artistic Duets and the Relational Practice of Collaboration

Louis Laberge-Côté, Nova Bhattacharya
South Asian Dance Intersections
Diversity and Impact of Dance
article

Akshongay: Then and Now—Intercultural Artistic Duets and the Relational Practice of Collaboration

Louis Laberge-Côté, Nova Bhattacharya
article en

Abstract

This article reflects on the creation, evolution, and remounting of Akshongay (Bengali: একসঙ্গে, meaning “together”), a full-length duet that unites Bharatnatyam and Western concert dance, co-created by Toronto-based dance artists Nova Bhattacharya and Louis Laberge-Côté. Their collaboration, which began in 2000, has evolved into a decades-long creative partnership rooted in critical difference, trust, and sustained inquiry. Developed across geographic, cultural, and stylistic borders, Akshongay embodies the possibilities of intercultural duet-making within the broader context of Canadian diasporic performance. In what follows, the artists reflect on their collaborative process, the work’s layered emotional and aesthetic terrain, and the embodied experience of revisiting and remounting the piece over a decade after its premiere.

South Asian Dance IntersectionsVol. 4(1)
Partnerships for the goals
Openalex Percentile: Top 93%
Diversity and Impact of Dance
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