‘Offensive’ writing: Sex and prostitution in the works by Hansda Sowvendra Shekhar

This article considers some works by the Santhal author Hansda Sowvendra Shekhar in light of the fierce critiques they attracted. Against the accusation of pornographic and offensive writing, I maintain not only that the criticism Shekhar’s works received is unjustified (something that has also been claimed by others), but also that it is symptomatic of a mood with its roots in the West that has spread all over the world. I argue that behind this kind of criticism lies the imposition of identity politics on literary works on one side, and the contemporary concern with political correctness on the other. Further, I also show that despite the progressive agenda such a criticism wants to represent and defend, it ends up producing regressive implications. Shekhar’s case appears thus to be particularly enlightening in showing the limits of identity politics and political correctness in literary criticism.

Authors

Publication Details

Journal
Università degli Studi di Torino
Published
2025-11-03
DOI
https://doi.org/10.13135/1825-263x/12729
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

‘Offensive’ writing: Sex and prostitution in the works by Hansda Sowvendra Shekhar

Armin Chiocchetti
Università degli Studi di Torino
Postcolonial and Cultural Literary Studies
article

‘Offensive’ writing: Sex and prostitution in the works by Hansda Sowvendra Shekhar

Armin Chiocchetti
article en

Abstract

This article considers some works by the Santhal author Hansda Sowvendra Shekhar in light of the fierce critiques they attracted. Against the accusation of pornographic and offensive writing, I maintain not only that the criticism Shekhar’s works received is unjustified (something that has also been claimed by others), but also that it is symptomatic of a mood with its roots in the West that has spread all over the world. I argue that behind this kind of criticism lies the imposition of identity politics on literary works on one side, and the contemporary concern with political correctness on the other. Further, I also show that despite the progressive agenda such a criticism wants to represent and defend, it ends up producing regressive implications. Shekhar’s case appears thus to be particularly enlightening in showing the limits of identity politics and political correctness in literary criticism.

Università degli Studi di Torino
Gender equality
Openalex Percentile: Top 17%
Postcolonial and Cultural Literary Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.