Origens da visualização de informações em tópicos corporativos: uma arqueologia do paradigma de configuração gráfica em visualizações de dados (1979–1995)

The present work seeks to highlight the origin of the current paradigm of data visualization design and the logic of creating charts and presentations, which emerged with the personal computer revolution. The initial digital tools developed for producing corporate communication artifacts were crucial in establishing the reasoning and production flow of visualizations up to the present day. Knowing beforehand that the origin of data visualization predates personal computing by centuries, it’s surprising that it is now entirely subject to models and guidelines originating from computer sciences. Through an investigation conducted with an archaeological method adapted to design artifacts, it is possible to understand the discontinuity and abrupt transformations experienced in the conventions and values of this practice. Through this methodological approach, along with the analysis of the productive mindset discourse and the available tools in this specific period, it becomes possible to explain the changes that aparted the craft of visualization artifacts from the domain of art and/or design, subjecting them to corporate sphere empowered by emerging arsenal of information technologies.

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Publication Details

Journal
LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)
Published
2024-10-18
Primary Topic
Data Visualization and Analytics
Type
article
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article

Origens da visualização de informações em tópicos corporativos: uma arqueologia do paradigma de configuração gráfica em visualizações de dados (1979–1995)

Guilherme Ranoya, Rafael Acioli de [UNIFESP] Andrade
LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)
Data Visualization and Analytics
article

Origens da visualização de informações em tópicos corporativos: uma arqueologia do paradigma de configuração gráfica em visualizações de dados (1979–1995)

Guilherme Ranoya, Rafael Acioli de [UNIFESP] Andrade
article en

Abstract

The present work seeks to highlight the origin of the current paradigm of data visualization design and the logic of creating charts and presentations, which emerged with the personal computer revolution. The initial digital tools developed for producing corporate communication artifacts were crucial in establishing the reasoning and production flow of visualizations up to the present day. Knowing beforehand that the origin of data visualization predates personal computing by centuries, it’s surprising that it is now entirely subject to models and guidelines originating from computer sciences. Through an investigation conducted with an archaeological method adapted to design artifacts, it is possible to understand the discontinuity and abrupt transformations experienced in the conventions and values of this practice. Through this methodological approach, along with the analysis of the productive mindset discourse and the available tools in this specific period, it becomes possible to explain the changes that aparted the craft of visualization artifacts from the domain of art and/or design, subjecting them to corporate sphere empowered by emerging arsenal of information technologies.

LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)
Industry, innovation and infrastructure
Openalex Percentile: Top 56%
Data Visualization and Analytics
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