Voices of Nature: Narrative Diversity and Ecological Awareness in Contemporary Canadian Short Stories

This article argues that three voice strategies in contemporary Canadian eco-stories—collective we-narration (Gartner), figural animal focalization (Bone), and omniscience inflected by oral address (Maracle)—activate distinct pathways of narrative empathy (attention re-calibration, perspective-switching, metaphorical reframing). Bridging ecocriticism and narrative theory, I show how these forms redistribute agency to nonhuman actants while exposing the affordances and risks of anthropomorphism. Close readings demonstrate that Gartner’s satirical collective voice performs de-anthropocentrization, Bone’s alternating figuration stages cross-species identification within unequal power regimes, and Maracle’s you-address and cyclical temporality enact relational resurgence. I conclude by outlining how such voice-driven designs move readers from elegiac “environmental loss” toward pedagogies of care and repair.

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Publication Details

Journal
New Horizons in English Studies
Published
2025-12-31
DOI
https://doi.org/10.17951/nh.2025.10.147-159
Primary Topic
Ecocriticism and Environmental Literature
Type
article
Field-Weighted Citation Impact
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article

Voices of Nature: Narrative Diversity and Ecological Awareness in Contemporary Canadian Short Stories

Seyma Yonar
New Horizons in English Studies
Ecocriticism and Environmental Literature
article

Voices of Nature: Narrative Diversity and Ecological Awareness in Contemporary Canadian Short Stories

Seyma Yonar
article en

Abstract

This article argues that three voice strategies in contemporary Canadian eco-stories—collective we-narration (Gartner), figural animal focalization (Bone), and omniscience inflected by oral address (Maracle)—activate distinct pathways of narrative empathy (attention re-calibration, perspective-switching, metaphorical reframing). Bridging ecocriticism and narrative theory, I show how these forms redistribute agency to nonhuman actants while exposing the affordances and risks of anthropomorphism. Close readings demonstrate that Gartner’s satirical collective voice performs de-anthropocentrization, Bone’s alternating figuration stages cross-species identification within unequal power regimes, and Maracle’s you-address and cyclical temporality enact relational resurgence. I conclude by outlining how such voice-driven designs move readers from elegiac “environmental loss” toward pedagogies of care and repair.

New Horizons in English StudiesVol. 10
University of Graz (AT)
Openalex Percentile: Top 18%
Ecocriticism and Environmental Literature
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