Six critical lenses on AI-generated images

This book offers six critical, interdisciplinary approaches to AI-generated images. It invites the reader to (re-)imagine relationships between artefacts and media, authorship and agency, creativity and commodification, representation and visual style. Across the chapters, the book examines three realities of AI images, from sociotechnical fabrics, through semiotic interfaces, to representations and aesthetics. <br/><br/>It pursues the following interconnected interventions: (1) addressing pataphysical and sociomaterial engagements with AI image making, (2) theorising distributed and probabilistic forms of agency through the concept of vector agency, (3) analysing interfaces and affordances of visual generative AI via multimodal walkthroughs, (4) conceptualising prompting as a cultural practice that reshapes agency, (5) mapping representational patterns and emerging visual genres in AI-generated imagery, and (6) interrogating how visual AI styles are co-produced by machines, users, and generative platform politics.<br/><br/>Drawing on media studies, philosophy of technology, multimodality studies, critical AI studies, and visual communication studies, these six critical lenses offer complementary perspectives to understanding the complex ecosystem surrounding AI image production.<br/><br/>The book is intended for scholars, graduate students, and practitioners working with visual generative AI in both analytical and creative contexts. Ultimately, the book calls for a reflexive and responsible engagement with increasingly AI-mediated visual culture.

Publication Details

Journal
University of Groningen research database (University of Groningen / Centre for Information Technology)
Published
2026-01-01
Primary Topic
Digital Media and Philosophy
Type
article
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article

Six critical lenses on AI-generated images

University of Groningen research database (University of Groningen / Centre for Information Technology)
Digital Media and Philosophy
article

Six critical lenses on AI-generated images

article en

Abstract

This book offers six critical, interdisciplinary approaches to AI-generated images. It invites the reader to (re-)imagine relationships between artefacts and media, authorship and agency, creativity and commodification, representation and visual style. Across the chapters, the book examines three realities of AI images, from sociotechnical fabrics, through semiotic interfaces, to representations and aesthetics. <br/><br/>It pursues the following interconnected interventions: (1) addressing pataphysical and sociomaterial engagements with AI image making, (2) theorising distributed and probabilistic forms of agency through the concept of vector agency, (3) analysing interfaces and affordances of visual generative AI via multimodal walkthroughs, (4) conceptualising prompting as a cultural practice that reshapes agency, (5) mapping representational patterns and emerging visual genres in AI-generated imagery, and (6) interrogating how visual AI styles are co-produced by machines, users, and generative platform politics.<br/><br/>Drawing on media studies, philosophy of technology, multimodality studies, critical AI studies, and visual communication studies, these six critical lenses offer complementary perspectives to understanding the complex ecosystem surrounding AI image production.<br/><br/>The book is intended for scholars, graduate students, and practitioners working with visual generative AI in both analytical and creative contexts. Ultimately, the book calls for a reflexive and responsible engagement with increasingly AI-mediated visual culture.

University of Groningen research database (University of Groningen / Centre for Information Technology)
Openalex Percentile: Top 96%
Digital Media and Philosophy
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Six critical lenses on AI-generated images · University of Groningen research database (University of Groningen / Centre for Information Technology) (2026) | TGRS Research Map | TGRS