Towards a Critical Pedagogy of Forest Intelligence. Introducing the <i>Forest Art Intelligence</i> (FAI) Project

Abstract In an era of accelerating ecological degradation, how might experimental art practices help audiences foster deeper, more empathetic engagement with the intelligence of living systems? This paper explores the potential of contemporary art, when aligned with ecological science, to reframe forest regeneration as a site of aesthetic and ethical inquiry — by regarding the forest as a primary composer within artistic and ecological frameworks. It asks: how might this approach underpin a novel form of “Critical Forest Pedagogy” capable of deepening our understanding of the collective natural intelligence of the living world and encouraging long-term conservation? To test these ideas, a new art-science project, Forest Art Intelligence , was initiated, framing a regenerating forest as an evolving, living artwork. Because forests evolve through stages mediated by life, death, regeneration and human influence, those stages of growth can also be framed as “process art” — a practice that values each stage of an artwork’s transformation. Collectively therefore this approach proposes a form of art-led “Critical Forest Pedagogy” suited to engaging communities traditionally unaligned with conservation, while remaining relevant to ecologically cognate audiences. It further asks whether this framing might promote a rethinking of restrictive, human-centred definitions of intelligence that underpin generative AI.

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Publication Details

Journal
Australian Journal of Environmental Education
Published
2026-01-07
DOI
https://doi.org/10.1017/aee.2025.10111
Citations
1
Primary Topic
Environmental Philosophy and Ethics
Type
article
Field-Weighted Citation Impact
42.99
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article

Towards a Critical Pedagogy of Forest Intelligence. Introducing the Forest Art Intelligence (FAI) Project

Jane Palmer, Tania Leimbach, Eleanor Velasquez, Keith Armstrong et al.
1 citations
Australian Journal of Environmental Education
Environmental Philosophy and Ethics
42.99
article

Towards a Critical Pedagogy of Forest Intelligence. Introducing the Forest Art Intelligence (FAI) Project

Jane Palmer, Tania Leimbach, Eleanor Velasquez, Keith Armstrong, Marcus Yates, David Tucker
article en
1 citations

Abstract

Abstract In an era of accelerating ecological degradation, how might experimental art practices help audiences foster deeper, more empathetic engagement with the intelligence of living systems? This paper explores the potential of contemporary art, when aligned with ecological science, to reframe forest regeneration as a site of aesthetic and ethical inquiry — by regarding the forest as a primary composer within artistic and ecological frameworks. It asks: how might this approach underpin a novel form of “Critical Forest Pedagogy” capable of deepening our understanding of the collective natural intelligence of the living world and encouraging long-term conservation? To test these ideas, a new art-science project, Forest Art Intelligence , was initiated, framing a regenerating forest as an evolving, living artwork. Because forests evolve through stages mediated by life, death, regeneration and human influence, those stages of growth can also be framed as “process art” — a practice that values each stage of an artwork’s transformation. Collectively therefore this approach proposes a form of art-led “Critical Forest Pedagogy” suited to engaging communities traditionally unaligned with conservation, while remaining relevant to ecologically cognate audiences. It further asks whether this framing might promote a rethinking of restrictive, human-centred definitions of intelligence that underpin generative AI.

Australian Journal of Environmental Education
Queensland University of Technology (AU), The University of Queensland (AU), University of Southern Queensland (AU), UNSW Sydney (AU)
Life in Land
Openalex Percentile: Top 1%
Environmental Philosophy and Ethics
42.99
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