The Aegean Meets Europe: Two Ornaments with Solar Motifs from Mycenaean Kefalonia (Greece)

This article presents an analysis of two sheet gold ornaments of the Mycenaean post-palatial period (twelfth–eleventh centuries bc ) found in two cemeteries on the island of Kefalonia. These unusual ornaments bear solar symbols of Nordic and central European type, the closest parallels being those on the contemporary gold discs from votive deposits on the Italian peninsula. The study considers the technological, morphological, and iconographic particularities of the Kefalonian ornaments and how they differ from each other and from other finds. The ornaments’ use in a funerary context is examined against Aegean practices, burial rites, and ideology. The examination of their iconographic and conceptual antecedents in the Aegean cultural sphere reveals that the exogenous input in their creation—linked to transcultural exchange within the Adriatic—was matched by indigenous engagement with aspects of cosmology.

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Publication Details

Journal
European Journal of Archaeology
Published
2026-01-08
DOI
https://doi.org/10.1017/eaa.2025.10031
Primary Topic
Archaeology and ancient environmental studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Aegean Meets Europe: Two Ornaments with Solar Motifs from Mycenaean Kefalonia (Greece)

Christina Souyoudzoglou-Haywood
European Journal of Archaeology
Archaeology and ancient environmental studies
article

The Aegean Meets Europe: Two Ornaments with Solar Motifs from Mycenaean Kefalonia (Greece)

Christina Souyoudzoglou-Haywood
article en

Abstract

This article presents an analysis of two sheet gold ornaments of the Mycenaean post-palatial period (twelfth–eleventh centuries bc ) found in two cemeteries on the island of Kefalonia. These unusual ornaments bear solar symbols of Nordic and central European type, the closest parallels being those on the contemporary gold discs from votive deposits on the Italian peninsula. The study considers the technological, morphological, and iconographic particularities of the Kefalonian ornaments and how they differ from each other and from other finds. The ornaments’ use in a funerary context is examined against Aegean practices, burial rites, and ideology. The examination of their iconographic and conceptual antecedents in the Aegean cultural sphere reveals that the exogenous input in their creation—linked to transcultural exchange within the Adriatic—was matched by indigenous engagement with aspects of cosmology.

European Journal of Archaeology
University College Dublin (IE)
Openalex Percentile: Top 98%
Archaeology and ancient environmental studies
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