VISUAL CULTURE, HISTORY AND IMAGE: THE WAR AGAINST PARAGUAY

The War against Paraguay (1864–1870), the largest armed conflict in 19th-century South America, extended beyond the battlefield into the media sphere, particularly through the illustrated Brazilian press. This study investigates the visual representations of the war produced by illustrators such as Henrique Fleiuss and Angelo Agostini. Their engravings, published in periodicals like Semana Illustrada and A Vida Fluminense, either reinforced patriotic ideals of the Empire or denounced the horrors of war. Through iconographic analysis, cross-referenced with historical, the Quadros Históricos da Guerra do Paraguai collection, and recent historiography, the research reveals how these images shaped public perceptions and contributed to symbolic documents disputes over the memory of the conflict. The 19th-century press thus became a site for the construction and contestation of meaning, where war was drawn, interpreted, and commodified for a visually eager readership.

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-01-07
DOI
https://doi.org/10.5281/zenodo.18175439
Primary Topic
Indigenous Studies in Latin America
Type
article
Field-Weighted Citation Impact
0.00
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article

VISUAL CULTURE, HISTORY AND IMAGE: THE WAR AGAINST PARAGUAY

Álvaro Saluan da Cunha
Zenodo (CERN European Organization for Nuclear Research)
Indigenous Studies in Latin America
article

VISUAL CULTURE, HISTORY AND IMAGE: THE WAR AGAINST PARAGUAY

Álvaro Saluan da Cunha
article en

Abstract

The War against Paraguay (1864–1870), the largest armed conflict in 19th-century South America, extended beyond the battlefield into the media sphere, particularly through the illustrated Brazilian press. This study investigates the visual representations of the war produced by illustrators such as Henrique Fleiuss and Angelo Agostini. Their engravings, published in periodicals like Semana Illustrada and A Vida Fluminense, either reinforced patriotic ideals of the Empire or denounced the horrors of war. Through iconographic analysis, cross-referenced with historical, the Quadros Históricos da Guerra do Paraguai collection, and recent historiography, the research reveals how these images shaped public perceptions and contributed to symbolic documents disputes over the memory of the conflict. The 19th-century press thus became a site for the construction and contestation of meaning, where war was drawn, interpreted, and commodified for a visually eager readership.

Zenodo (CERN European Organization for Nuclear Research)
Peace, Justice and strong institutions
Openalex Percentile: Top 97%
Indigenous Studies in Latin America
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VISUAL CULTURE, HISTORY AND IMAGE: THE WAR AGAINST PARAGUAY — Álvaro Saluan da Cunha · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS