New Approaches to Stereoscopic 3D Film Production: Enhancements to a Unique Medium

This article presents a research project exploring the unique potential of Stereoscopic 3D (S3D) cinema through experimental techniques that challenge traditional 2D filmmaking conventions. The research identifies two key areas for experimentation— frame shape and haptic vision—to demonstrate how S3D can offer immersive experiences that are not possible or are greatly diminished in 2D formats. This study investigates non rectangular screen shapes, such as ovals, and their effects on depth perception and emotional engagement. Additionally, it explores haptic vision, aiming to evoke tactile-like sensations through the manipulation of convergence, focus, and colour. The research culminates in the S3D film No Race, which incorporates Indigenous Australian-inspired contemporary dance to illustrate the narrative possibilities of these experimental methods. This article highlights S3D’s transformative potential for multi-sensory storytelling and challenges traditional 2D biases in cinematic production.

Authors

Publication Details

Journal
Repositório Científico Lusófona (Grupo Lusófona)
Published
2025-03-15
DOI
https://doi.org/10.24140/ijsim.v9i2.9443
Primary Topic
Virtual Reality Applications and Impacts
Type
article
Field-Weighted Citation Impact
0.00
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article

New Approaches to Stereoscopic 3D Film Production: Enhancements to a Unique Medium

Bruce Fitter
Repositório Científico Lusófona (Grupo Lusófona)
Virtual Reality Applications and Impacts
article

New Approaches to Stereoscopic 3D Film Production: Enhancements to a Unique Medium

Bruce Fitter
article en

Abstract

This article presents a research project exploring the unique potential of Stereoscopic 3D (S3D) cinema through experimental techniques that challenge traditional 2D filmmaking conventions. The research identifies two key areas for experimentation— frame shape and haptic vision—to demonstrate how S3D can offer immersive experiences that are not possible or are greatly diminished in 2D formats. This study investigates non rectangular screen shapes, such as ovals, and their effects on depth perception and emotional engagement. Additionally, it explores haptic vision, aiming to evoke tactile-like sensations through the manipulation of convergence, focus, and colour. The research culminates in the S3D film No Race, which incorporates Indigenous Australian-inspired contemporary dance to illustrate the narrative possibilities of these experimental methods. This article highlights S3D’s transformative potential for multi-sensory storytelling and challenges traditional 2D biases in cinematic production.

Repositório Científico Lusófona (Grupo Lusófona)
Openalex Percentile: Top 31%
Virtual Reality Applications and Impacts
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