The post-industrial ruin graffiti spaces and writer

The aim this article is to explain the use of abandoned industrial building for the graffiti writer with the example of the urban incinerator of Carrières in Montréal (l’incinérateur des Carrières), by using three methods of data collection: archaeoanthropology as a method of ethnographic observation, collection of online documents and archives, and the semi-directed interview. Some scholars described the use of abandoned industrial buildings for graffiti, but they didn’t describe deeply those functions related to their graffiti vocation, especially the surfaces used by graffiti writers of post-industrial ruin. The results show the functions of an abandoned industrial building within is graffiti vocation regarding the surfaces invested by graffiti writer, thanks to a deep detailed analyze of the used surfaces, the distinction between upper and lower surfaces, in terms of visibility and invisibility. It reveals the importance of the use of high surfaces in the graffiti tradition, as part of the hierarchy of graffiti spaces and the artistic spatiality of graffiti.

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Publication Details

Journal
Wise Thorough / Urban Creativity Journals
Published
2025-11-26
DOI
https://doi.org/10.48619/gsa.v3i1.a1249
Primary Topic
Public Spaces through Art
Type
article
Field-Weighted Citation Impact
0.00
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article

The post-industrial ruin graffiti spaces and writer

Annick Kevin Edingue Essoh
Wise Thorough / Urban Creativity Journals
Public Spaces through Art
article

The post-industrial ruin graffiti spaces and writer

Annick Kevin Edingue Essoh
article en

Abstract

The aim this article is to explain the use of abandoned industrial building for the graffiti writer with the example of the urban incinerator of Carrières in Montréal (l’incinérateur des Carrières), by using three methods of data collection: archaeoanthropology as a method of ethnographic observation, collection of online documents and archives, and the semi-directed interview. Some scholars described the use of abandoned industrial buildings for graffiti, but they didn’t describe deeply those functions related to their graffiti vocation, especially the surfaces used by graffiti writers of post-industrial ruin. The results show the functions of an abandoned industrial building within is graffiti vocation regarding the surfaces invested by graffiti writer, thanks to a deep detailed analyze of the used surfaces, the distinction between upper and lower surfaces, in terms of visibility and invisibility. It reveals the importance of the use of high surfaces in the graffiti tradition, as part of the hierarchy of graffiti spaces and the artistic spatiality of graffiti.

Wise Thorough / Urban Creativity Journals
University of Toronto (CA)
Sustainable cities and communities
Openalex Percentile: Top 21%
Public Spaces through Art
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