Blessings for the Afterlife: Contextual Analysis of the Graffiti of Substructure II-B at Calakmul, Campeche, Mexico

Abstract This article presents the results of a contextual analysis of graffiti found in Substructure II-B at the Maya city of Calakmul. The final use of this space was for the burial of an important Kanu’l lord, whose identity—as shown by a recent analysis of the Long Count date inscribed as part of the graffiti—seems to be that of Yukno’m Ch’een II. My analysis of the frequency of appearance of different categories of graffiti within the structure, compared to the frequency of the same categories within the total set of graffiti recorded in the Maya area, suggests that the main objective of its creators was the ritual reconditioning of this space: they wished to make it more suitable for the entombment of the ruler, through its aesthetic modification, in what constitutes an example of placemaking. The inclusion of images of deities associated with death, rebirth, abundance, and kingship reconfigured the room and transformed it into a sacred space in which the burial process could be properly carried out. Analyzing the graffiti in the context in which they are located allows us to better understand the intentionality of its creators.

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Publication Details

Journal
Latin American Antiquity
Published
2026-01-02
DOI
https://doi.org/10.1017/laq.2024.45
Primary Topic
Archaeology and ancient environmental studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Blessings for the Afterlife: Contextual Analysis of the Graffiti of Substructure II-B at Calakmul, Campeche, Mexico

Rogelio Valencia Rivera
Latin American Antiquity
Archaeology and ancient environmental studies
article

Blessings for the Afterlife: Contextual Analysis of the Graffiti of Substructure II-B at Calakmul, Campeche, Mexico

Rogelio Valencia Rivera
article en

Abstract

Abstract This article presents the results of a contextual analysis of graffiti found in Substructure II-B at the Maya city of Calakmul. The final use of this space was for the burial of an important Kanu’l lord, whose identity—as shown by a recent analysis of the Long Count date inscribed as part of the graffiti—seems to be that of Yukno’m Ch’een II. My analysis of the frequency of appearance of different categories of graffiti within the structure, compared to the frequency of the same categories within the total set of graffiti recorded in the Maya area, suggests that the main objective of its creators was the ritual reconditioning of this space: they wished to make it more suitable for the entombment of the ruler, through its aesthetic modification, in what constitutes an example of placemaking. The inclusion of images of deities associated with death, rebirth, abundance, and kingship reconfigured the room and transformed it into a sacred space in which the burial process could be properly carried out. Analyzing the graffiti in the context in which they are located allows us to better understand the intentionality of its creators.

Latin American Antiquity
National Institute of Anthropology and History (MX)
Sustainable cities and communities
Openalex Percentile: Top 99%
Archaeology and ancient environmental studies
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