Tasting Anxieties: Food and Emotion in Black Mirror

The article analyzes the functions of food in selected Black Mirror episodes as an affective body and a matrix that organizes emotions, social relations, and power structures. Its aim is to show how food in science fiction can reveal mechanisms of power and shape affective relations. The starting point is Sara Ahmed’s affect theory, which describes emotions as forces circulating between bodies. The article also draws on Lauren Berlant’s concept of “cruel optimism,” arguing that food functions as a vehicle for unfulfilled promises. Analyzing the episodes “Fifteen Million Merits,” “Nosedive,” and “Be Right Back,” the article shows that eating – or the lack of it – becomes a figure of social norms and emotional alienation, contributing to research on food in science fiction narratives.

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Publication Details

Journal
Annales Universitatis Mariae Curie-Skłodowska sectio FF – Philologiae
Published
2025-12-29
DOI
https://doi.org/10.17951/ff.2025.43.2.217-230
Primary Topic
Utopian, Dystopian, and Speculative Fiction
Type
article
Field-Weighted Citation Impact
0.00
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article

Tasting Anxieties: Food and Emotion in Black Mirror

Joanna Łapińska
Annales Universitatis Mariae Curie-Skłodowska sectio FF – Philologiae
Utopian, Dystopian, and Speculative Fiction
article

Tasting Anxieties: Food and Emotion in Black Mirror

Joanna Łapińska
article en

Abstract

The article analyzes the functions of food in selected Black Mirror episodes as an affective body and a matrix that organizes emotions, social relations, and power structures. Its aim is to show how food in science fiction can reveal mechanisms of power and shape affective relations. The starting point is Sara Ahmed’s affect theory, which describes emotions as forces circulating between bodies. The article also draws on Lauren Berlant’s concept of “cruel optimism,” arguing that food functions as a vehicle for unfulfilled promises. Analyzing the episodes “Fifteen Million Merits,” “Nosedive,” and “Be Right Back,” the article shows that eating – or the lack of it – becomes a figure of social norms and emotional alienation, contributing to research on food in science fiction narratives.

Annales Universitatis Mariae Curie-Skłodowska sectio FF – PhilologiaeVol. 43(2)
Film Independent (US)
Openalex Percentile: Top 18%
Utopian, Dystopian, and Speculative Fiction
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