Sanctuary from the Storm: Making (My) Room with <i>The Torkelsons</i>

Reflecting on my teenage scrapbook, “Sam &amp; Friends,” I approach the televisual link between home and self via an autotheoretical reading of the fictional home centered in the white family sitcom The Torkelsons (NBC, 1991–1993). I argue that my teenage scrapbook, which references the series, functions as a self-portrait of domestic spacemaking with and through television spectatorship. Through an analysis of the The Torkelesons ’ domestic world as well as my own, I tune into broader living practices, looking relations, and meaning-making processes for Black viewers and audiences of dominant white television.

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Publication Details

Journal
Television & New Media
Published
2025-12-31
DOI
https://doi.org/10.1177/15274764251396110
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Sanctuary from the Storm: Making (My) Room with The Torkelsons

Samantha N. Sheppard
Television & New Media
Gender, Feminism, and Media
article

Sanctuary from the Storm: Making (My) Room with The Torkelsons

Samantha N. Sheppard
article en

Abstract

Reflecting on my teenage scrapbook, “Sam &amp; Friends,” I approach the televisual link between home and self via an autotheoretical reading of the fictional home centered in the white family sitcom The Torkelsons (NBC, 1991–1993). I argue that my teenage scrapbook, which references the series, functions as a self-portrait of domestic spacemaking with and through television spectatorship. Through an analysis of the The Torkelesons ’ domestic world as well as my own, I tune into broader living practices, looking relations, and meaning-making processes for Black viewers and audiences of dominant white television.

Television & New MediaVol. 27(3)
Cornell University (US)
Openalex Percentile: Top 23%
Gender, Feminism, and Media
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