Teaching Buddhism through Spring, Summer, Fall, Winter… and Spring. Ethics, Impermanence, and Monastic Practice in Korean Cinema

This open-access teaching guide shows how Spring, Summer, Fall, Winter… and Spring (2003), directed by Kim Ki-duk, can be used to teach Buddhist ethics, impermanence, and monastic practice in undergraduate and graduate courses. Designed for classes in Buddhism, religion and film, Korean religions, and Buddhist ethics, the guide emphasizes seasonal structure, visual symbolism, embodied discipline, and karmic consequence rather than doctrinal exposition. The guide is intended for classroom adoption and instructional reuse, offering scene-based discussion prompts, learning goals, and teaching strategies that help students engage Buddhist moral formation through cinematic form. This resource supplements: Ronald S. Green and Chanju Mun, “Representing Buddhism through Mise-en-scène, Diegesis, and Mimesis: Kim Ki-duk’s Spring, Summer, Fall, Winter… and Spring,” International Journal of Buddhist Thought and Culture (2019), DOI: https://doi.org/10.16893/IJBTC.2019.06.29.1.177

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-12-30
DOI
https://doi.org/10.5281/zenodo.18098434
Primary Topic
Mindfulness and Compassion Interventions
Type
article
Field-Weighted Citation Impact
0.00
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article

Teaching Buddhism through Spring, Summer, Fall, Winter… and Spring. Ethics, Impermanence, and Monastic Practice in Korean Cinema

Ronald Green
Zenodo (CERN European Organization for Nuclear Research)
Mindfulness and Compassion Interventions
article

Teaching Buddhism through Spring, Summer, Fall, Winter… and Spring. Ethics, Impermanence, and Monastic Practice in Korean Cinema

Ronald Green
article en

Abstract

This open-access teaching guide shows how Spring, Summer, Fall, Winter… and Spring (2003), directed by Kim Ki-duk, can be used to teach Buddhist ethics, impermanence, and monastic practice in undergraduate and graduate courses. Designed for classes in Buddhism, religion and film, Korean religions, and Buddhist ethics, the guide emphasizes seasonal structure, visual symbolism, embodied discipline, and karmic consequence rather than doctrinal exposition. The guide is intended for classroom adoption and instructional reuse, offering scene-based discussion prompts, learning goals, and teaching strategies that help students engage Buddhist moral formation through cinematic form. This resource supplements: Ronald S. Green and Chanju Mun, “Representing Buddhism through Mise-en-scène, Diegesis, and Mimesis: Kim Ki-duk’s Spring, Summer, Fall, Winter… and Spring,” International Journal of Buddhist Thought and Culture (2019), DOI: https://doi.org/10.16893/IJBTC.2019.06.29.1.177

Zenodo (CERN European Organization for Nuclear Research)
Coastal Carolina University (US)
Quality Education
Openalex Percentile: Top 26%
Mindfulness and Compassion Interventions
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Teaching Buddhism through Spring, Summer, Fall, Winter… and Spring. Ethics, Impermanence, and Monastic Practice in Korean Cinema — Ronald Green · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS