Lockerbie Pan Am 103 – Tracking the Evolving Re-Use of Archive Broadcast News

This article will examine the changing ways in which the original broadcast news footage of the bombing of Pan Am 103 over Lockerbie in December 1988 has been re-used. The article reflects on evolving types of usage from the immediacy of contemporaneous news coverage through several other stages: as evidence in investigative current affairs documentary films; as documentary history presenting the contexts of this event; in creative memorials commemorating the lives of the victims; as witness testimony recording the reflections in hindsight of those who experienced the disaster; and most recently in scripted dramatisations. The article explores how the re-use of this news footage can be viewed within the conceptual framework of the creative practice of ‘archiveology’ (Russell, 2018) and argues that this archival re-use has built up many interconnected layers of collective memory about what happened over Lockerbie that night.

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Publication Details

Journal
VIEW Journal of European Television History and Culture
Published
2025-12-31
DOI
https://doi.org/10.18146/view.369
Primary Topic
Literature, Film, and Journalism Analysis
Type
article
Field-Weighted Citation Impact
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article

Lockerbie Pan Am 103 – Tracking the Evolving Re-Use of Archive Broadcast News

Alistair Scott
VIEW Journal of European Television History and Culture
Literature, Film, and Journalism Analysis
article

Lockerbie Pan Am 103 – Tracking the Evolving Re-Use of Archive Broadcast News

Alistair Scott
article en

Abstract

This article will examine the changing ways in which the original broadcast news footage of the bombing of Pan Am 103 over Lockerbie in December 1988 has been re-used. The article reflects on evolving types of usage from the immediacy of contemporaneous news coverage through several other stages: as evidence in investigative current affairs documentary films; as documentary history presenting the contexts of this event; in creative memorials commemorating the lives of the victims; as witness testimony recording the reflections in hindsight of those who experienced the disaster; and most recently in scripted dramatisations. The article explores how the re-use of this news footage can be viewed within the conceptual framework of the creative practice of ‘archiveology’ (Russell, 2018) and argues that this archival re-use has built up many interconnected layers of collective memory about what happened over Lockerbie that night.

VIEW Journal of European Television History and CultureVol. 14(28)
Edinburgh Napier University (GB)
Climate action
Openalex Percentile: Top 20%
Literature, Film, and Journalism Analysis
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