‘State of the Field’ roundtable: Disability pedagogy and practice in musical theatre

In this roundtable conversation, six musical theatre scholars and practitioners engage in a wide-ranging discussion about the evolving intersections between disability and musical theatre in pedagogy and professional practices. Starting from the provocative notion that disability unsettles musical theatre’s fixation on idealized bodies and normative performance standards, the discussants interrogate current institutional practices, reflect on their personal experiences navigating accessibility and call out persistent barriers. This roundtable vividly captures tensions between artistic norms and the lived realities of disabled performers in university training grounds and the industry by highlighting inclusive approaches and critically examining what it genuinely means to embed accessibility into theatrical practice. Collectively, the roundtable dreams forward, positioning disability not as an exceptional condition but as an expansive, dynamic source of creative potential.

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Publication Details

Journal
Studies in Musical Theatre
Published
2025-10-01
DOI
https://doi.org/10.1386/smt_00203_7
Primary Topic
Disability Rights and Representation
Type
article
Field-Weighted Citation Impact
0.00
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article

‘State of the Field’ roundtable: Disability pedagogy and practice in musical theatre

Barrie Gelles, Samuel Yates, Caitlin Marshall, Christian Lewis et al.
Studies in Musical Theatre
Disability Rights and Representation
article

‘State of the Field’ roundtable: Disability pedagogy and practice in musical theatre

Barrie Gelles, Samuel Yates, Caitlin Marshall, Christian Lewis, Anthony Michael Lopez, Ryan Donovan
article en

Abstract

In this roundtable conversation, six musical theatre scholars and practitioners engage in a wide-ranging discussion about the evolving intersections between disability and musical theatre in pedagogy and professional practices. Starting from the provocative notion that disability unsettles musical theatre’s fixation on idealized bodies and normative performance standards, the discussants interrogate current institutional practices, reflect on their personal experiences navigating accessibility and call out persistent barriers. This roundtable vividly captures tensions between artistic norms and the lived realities of disabled performers in university training grounds and the industry by highlighting inclusive approaches and critically examining what it genuinely means to embed accessibility into theatrical practice. Collectively, the roundtable dreams forward, positioning disability not as an exceptional condition but as an expansive, dynamic source of creative potential.

Studies in Musical TheatreVol. 19(2)
Vassar College (US), Pennsylvania State University (US), Duke University (US), Reinhardt University (US), Independent Dance (GB), New York University (US)
Quality Education
Openalex Percentile: Top 26%
Disability Rights and Representation
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