Snakeskin in the Wild: A Multi-Sensor Framework for Performance Art: A Case Study in Multimodal Sensor Synchronization

This paper presents a lightweight software framework for synchronizing heterogeneous, wearable biometric devices during live performance. Developed within the five?year interdisciplinary project Neurolive, a research collaboration that brings artists, scientists and audiences together to investigate ''liveness,'' the framework enables multiple EEG (Electroencephalogram) headsets, eye?tracking glasses, and other sensors to stream in real time over a unified clock. This version of the system was built for Neurolive's third performance commission, ∼ snakeskin in the wild ∼∗created by Dog Kennel Hill Project (artists Ben Ash, Heni Hale and Rachel Lopez de la Nieta). Here are some creative interactions that emerged from this collaboration: (1) a stage?adapted P300 routine, (2) a spatialized EEG sonification sound?scape, and (3) audio cues to section the performance. We describe the concept, technical architecture, and artistic motivations, highlighting how the design prioritizes reliability, performer mobility, and network scalability inside a mid-sized performance venue. Field observations reveal practical challenges - setting up the EEG to stream via LSL, calibration drift - and the tactics adopted to maintain a ''seamless'' aesthetic. We conclude with lessons learned and recommendations for creators seeking to incorporate large?scale biosensing into immersive performance.

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Published
2025-10-12
DOI
https://doi.org/10.1145/3714394.3756265
Primary Topic
Multisensory perception and integration
Type
article
Field-Weighted Citation Impact
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article

Snakeskin in the Wild: A Multi-Sensor Framework for Performance Art: A Case Study in Multimodal Sensor Synchronization

Guido Orgs, Jamie Forth, Matthias Sperling, Jamie A. Ward et al.
Multisensory perception and integration
article

Snakeskin in the Wild: A Multi-Sensor Framework for Performance Art: A Case Study in Multimodal Sensor Synchronization

Guido Orgs, Jamie Forth, Matthias Sperling, Jamie A. Ward, Sonia Abad Hernando, Albane Arthuis, Laura Rai, Hennie Lee, Mirko Febbo, Daniel C. Richardson
article en

Abstract

This paper presents a lightweight software framework for synchronizing heterogeneous, wearable biometric devices during live performance. Developed within the five?year interdisciplinary project Neurolive, a research collaboration that brings artists, scientists and audiences together to investigate ''liveness,'' the framework enables multiple EEG (Electroencephalogram) headsets, eye?tracking glasses, and other sensors to stream in real time over a unified clock. This version of the system was built for Neurolive's third performance commission, ∼ snakeskin in the wild ∼∗created by Dog Kennel Hill Project (artists Ben Ash, Heni Hale and Rachel Lopez de la Nieta). Here are some creative interactions that emerged from this collaboration: (1) a stage?adapted P300 routine, (2) a spatialized EEG sonification sound?scape, and (3) audio cues to section the performance. We describe the concept, technical architecture, and artistic motivations, highlighting how the design prioritizes reliability, performer mobility, and network scalability inside a mid-sized performance venue. Field observations reveal practical challenges - setting up the EEG to stream via LSL, calibration drift - and the tactics adopted to maintain a ''seamless'' aesthetic. We conclude with lessons learned and recommendations for creators seeking to incorporate large?scale biosensing into immersive performance.

Independent Dance (GB), University College London (GB), Goldsmiths University of London (GB)
Openalex Percentile: Top 28%
Multisensory perception and integration
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Snakeskin in the Wild: A Multi-Sensor Framework for Performance Art: A Case Study in Multimodal Sensor Synchronization — Guido Orgs, Jamie Forth, et al. · (2025) | TGRS Research Map | TGRS