Gender, Ethnicity, and Social Class in Monica Krawczyk’s Short Stories

Abstract According to various researchers, Monica Krawczyk (1887-1954) was the first Polish-American writer whose stories about Polish-American immigrants were published in well-known American magazines in the 1930s and 1940s, and later, in 1950, in a collection entitled If the Branch Blossoms and Other Stories . Most of the short stories revolve around the daily life of Polish-American immigrants in Minnesota. This essay proposes a close reading of two short stories in the collection, “After His Own” and “Wedding in the City,” with a view to illustrating how gender, ethnicity, and social class intersect in the ethnic and American spaces navigated by Krawczyk’s characters, and the ways in which they impact the female protagonists’ identities as women, wives, and mothers.

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Publication Details

Journal
East-West Cultural Passage
Published
2025-12-01
DOI
https://doi.org/10.2478/ewcp-2025-0021
Primary Topic
Short Stories in Global Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

Gender, Ethnicity, and Social Class in Monica Krawczyk’s Short Stories

Anca-Luminiţa Iancu
East-West Cultural Passage
Short Stories in Global Literature
article

Gender, Ethnicity, and Social Class in Monica Krawczyk’s Short Stories

Anca-Luminiţa Iancu
article en

Abstract

Abstract According to various researchers, Monica Krawczyk (1887-1954) was the first Polish-American writer whose stories about Polish-American immigrants were published in well-known American magazines in the 1930s and 1940s, and later, in 1950, in a collection entitled If the Branch Blossoms and Other Stories . Most of the short stories revolve around the daily life of Polish-American immigrants in Minnesota. This essay proposes a close reading of two short stories in the collection, “After His Own” and “Wedding in the City,” with a view to illustrating how gender, ethnicity, and social class intersect in the ethnic and American spaces navigated by Krawczyk’s characters, and the ways in which they impact the female protagonists’ identities as women, wives, and mothers.

East-West Cultural PassageVol. 25(2)
Lucian Blaga University of Sibiu (RO)
Gender equality
Openalex Percentile: Top 20%
Short Stories in Global Literature
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