Специфіка композиційно-колажної побудови відеоряду в сучасному документальному кіно

The methodology of the research. To study the specifics of the combination of shots according to the composition and collage structure in contemporary documentary cinema. To identify the patterns of influence of dramaturgical constructions on the viewer’s emotional manifestations. To analyse and summarise the main aspects of building a collage documentary with a central narrative component. To identify possible means of sensory impact on the viewer through forms, textures, colours, and editing drama. To prove the importance of making the screen image imaginative and meaningful. To motivate young artists to deepen their knowledge in the context of studying the impact of poetic screen language on the viewer. The research methodology. The following scientific methods were used in the study, namely: theoretical – a comprehensive study of the structural structure of the collage film, based on a meticulous analysis of the works of prominent theorists and examples of world cinema, analysis of pictorial, figurative and sensual means of influencing the viewer, as well as psychological and physiological factors of human perception of an audiovisual work; comparative – establishing parallels between the construction of video sequences of different types of contemporary documentaries; practical – modeling. Scientific novelty. For the first time, the phenomenon of collage reflection in documentary cinema is analysed, highlighting the tools that influence the viewer through colour drama, collage composition of the video sequence, and image form. The author has studied in depth the meaningfulness of the use of montage constructions that affect the viewer’s subconscious and emotional receptors of perception. Conclusions. The article examines the specifics of combining shots in accordance with the composition and collage structure in contemporary documentary cinema. The regularities of the influence of dramaturgical constructions on the viewer’s emotional manifestations are revealed. The central aspects of the documentary collage structure are generalised. The instrumental significance of the means of sensory influence on the viewer, in particular, editing, colour tone, shapes and textures, is established. The importance of an in-depth study of the figurative and meaningful screen image is proven. The nature of the viewer’s perception of a screen work is analysed.