Music Genres as Historical Individuals

Abstract Musicians, listeners, and record labels sort music into genres such as jazz, punk, heavy metal, and so on. Metaphysically, what kind of thing is a genre? This paper explores the idea that music genres are historical individuals. The obvious way to develop this is to think of a music genre as being like a biological species. Although that approach has much to recommend it, we argue that it faces an insuperable difficulty: what we dub the problem of independent origins. We argue, instead, that a genre is a historical individual governed by an institution or social practice.

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Publication Details

Journal
The British Journal of Aesthetics
Published
2025-08-17
DOI
https://doi.org/10.1093/aesthj/ayaf034
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Music Genres as Historical Individuals

Brandon Polite, Emmie Malone, P D Magnus
The British Journal of Aesthetics
Music History and Culture
article

Music Genres as Historical Individuals

Brandon Polite, Emmie Malone, P D Magnus
article en

Abstract

Abstract Musicians, listeners, and record labels sort music into genres such as jazz, punk, heavy metal, and so on. Metaphysically, what kind of thing is a genre? This paper explores the idea that music genres are historical individuals. The obvious way to develop this is to think of a music genre as being like a biological species. Although that approach has much to recommend it, we argue that it faces an insuperable difficulty: what we dub the problem of independent origins. We argue, instead, that a genre is a historical individual governed by an institution or social practice.

The British Journal of Aesthetics
University at Albany, State University of New York (US), Knox College (US), San Jose State University (US)
Reduced inequalities
Openalex Percentile: Top 20%
Music History and Culture
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