Reframing China in Digital Discourse: U.S. Representations across Platforms after the TikTok Ban

This study treats TikTok as an unintended arena of Chinese public diplomacy and examines how China’s image is constructed in U.S. discourse surrounding the TikTok ban. Using qualitative framing analysis, it compares elite newspapers (The New York Times, The Wall Street Journal), tech blogs (Wired, Gizmodo), and TikTok user-generated videos. Cross-platform analysis identifies six recurring frames: elite newspapers reproduce state-centric and threat-based portrayals; tech blogs introduce reflexive, platform-oriented critiques; TikTok users contribute emotionally resonant, culturally connective, and satirical expressions that diversify China’s image. The findings suggest that national image construction is becoming increasingly decentralized. In this fragmented discursive ecology, China’s public diplomacy must adapt by emphasizing affective engagement and incorporating non-state narratives.

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Publication Details

Journal
ScholarSpace (University of Hawaii at Manoa)
Published
2025-12-23
Primary Topic
Public Relations and Crisis Communication
Type
article
Field-Weighted Citation Impact
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article

Reframing China in Digital Discourse: U.S. Representations across Platforms after the TikTok Ban

Xiaotan Wan
ScholarSpace (University of Hawaii at Manoa)
Public Relations and Crisis Communication
article

Reframing China in Digital Discourse: U.S. Representations across Platforms after the TikTok Ban

Xiaotan Wan
article en

Abstract

This study treats TikTok as an unintended arena of Chinese public diplomacy and examines how China’s image is constructed in U.S. discourse surrounding the TikTok ban. Using qualitative framing analysis, it compares elite newspapers (The New York Times, The Wall Street Journal), tech blogs (Wired, Gizmodo), and TikTok user-generated videos. Cross-platform analysis identifies six recurring frames: elite newspapers reproduce state-centric and threat-based portrayals; tech blogs introduce reflexive, platform-oriented critiques; TikTok users contribute emotionally resonant, culturally connective, and satirical expressions that diversify China’s image. The findings suggest that national image construction is becoming increasingly decentralized. In this fragmented discursive ecology, China’s public diplomacy must adapt by emphasizing affective engagement and incorporating non-state narratives.

ScholarSpace (University of Hawaii at Manoa)
Openalex Percentile: Top 25%
Public Relations and Crisis Communication
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