Sound and visual symbolism in Mohja Kahf’s ( <i>an-nadb</i> ) poem “what do we do during genocide?”

This paper examines the elegiac expressions of pain, mourning, and resistance in Mohja Kahf’s poem “What Do We Do During Genocide?,” focusing on lamentation (an-nadb) as an aspect of elegy in Arabic poetry. It explores the sound and visual symbolism employed in this an-nadb poem, particularly its depiction of crying as a key literary device. The poem mourns the tragedies in Gaza, the decline of humanity, and the anguish of Arab diasporic communities, expressing these themes through auditory and visual elements. The analysis considers sound symbolism, including voiced and voiceless sounds, as well as phonemic symbolism, while investigating how the visual arrangement of words, punctuation, syntax, and capitalization enhances meaning. Features such as fragmented syntax, irregular line lengths, and repeated phrases evoke the emotional surge inherent in wailing. By analyzing these sound and visual elements, the paper demonstrates how the poem uses the elegiac form to convey grief while calling for awareness, solidarity, and resistance against genocide. This study highlights lamentation as a dynamic act of resistance, reclaiming voice and preserving memory in the face of erasure and violence.

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Publication Details

Journal
Cogent Arts and Humanities
Published
2025-12-26
DOI
https://doi.org/10.1080/23311983.2025.2608444
Primary Topic
Sound Studies and Aurality
Type
article
Field-Weighted Citation Impact
0.00
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article

Sound and visual symbolism in Mohja Kahf’s ( an-nadb ) poem “what do we do during genocide?”

Hamida Riahi
Cogent Arts and Humanities
Sound Studies and Aurality
article

Sound and visual symbolism in Mohja Kahf’s ( an-nadb ) poem “what do we do during genocide?”

Hamida Riahi
article en

Abstract

This paper examines the elegiac expressions of pain, mourning, and resistance in Mohja Kahf’s poem “What Do We Do During Genocide?,” focusing on lamentation (an-nadb) as an aspect of elegy in Arabic poetry. It explores the sound and visual symbolism employed in this an-nadb poem, particularly its depiction of crying as a key literary device. The poem mourns the tragedies in Gaza, the decline of humanity, and the anguish of Arab diasporic communities, expressing these themes through auditory and visual elements. The analysis considers sound symbolism, including voiced and voiceless sounds, as well as phonemic symbolism, while investigating how the visual arrangement of words, punctuation, syntax, and capitalization enhances meaning. Features such as fragmented syntax, irregular line lengths, and repeated phrases evoke the emotional surge inherent in wailing. By analyzing these sound and visual elements, the paper demonstrates how the poem uses the elegiac form to convey grief while calling for awareness, solidarity, and resistance against genocide. This study highlights lamentation as a dynamic act of resistance, reclaiming voice and preserving memory in the face of erasure and violence.

Cogent Arts and HumanitiesVol. 13(1)
Northern Border University (SA)
Peace, Justice and strong institutions
Openalex Percentile: Top 29%
Sound Studies and Aurality
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