Finality for Antigone and Iphigenia: The Masculine Suicide and Feminine Sacrifice

Abstract Using a comparative reading of Antigone and Iphigenia, the paper illuminates how differing modes of finality within a political moment can be construed along gender lines. For feminine characters whose political life never experiences a birth while ensconced in the Athenian apparatus of male political oppression, understanding how Antigone and Iphigenia both become politically born by entering a mode of finality aids in pinpointing one of the very few agentic methods available to women in ancient Athens. Through a careful understanding of Greek tragedy, the place of women in Ancient Athens, and a discussion of views of gender during the time, the paper offers a multi-disciplinary view, understanding the text for what it is within a contemporary reading of gender. What does Antigone’s suicide imply about gendered power inside a political situation and what does Iphigenia’s sacrifice take away? Antigone’s suicide effectively makes her a masculine actor in the eyes of an Ancient Athenian spectator while Iphigenia’s sacrifice is uniquely feminine. This paper also represents preliminary work into the importance and significance of persons who are politically cornered but have open to them an intentional mode of finality.