EDM, Tech-House or Business Techno?

This article explores how the term EDM, along with other newer labels for club music, is used among some audiences to distinguish between authenticity and inauthenticity within club culture. The focus is on discussions in social media, with the Facebook group The Worst Techno Memes Ever Group Page (TWTMEGP) as a prime example. For many, both audiences and artists, upholding the legacy from the early days of house and techno is an important mark of authenticity. Applying genre labels that emerged later in the history of club music, like EDM, are interpreted by some as disregarding the early legacy of club and dance music. The contemporary commercial music often associated with EDM, has the potential to frame it as a loaded term. However, it remains difficult for many to define how far audiences and artists can diverge from the original underground roots of house and techno while still being considered authentic. In an analysis of online discussions that frequently ridicule EDM and other newer musical labels, I will exemplify the fluid meanings genre labels can have within club cultural communities, as well as uncover some of the complexity around upholding established ideals of authenticity in club music.

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Publication Details

Journal
SHILAP Revista de lepidopterología
Published
2025-12-01
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
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article

EDM, Tech-House or Business Techno?

Gaute Barlindhaug
SHILAP Revista de lepidopterología
Music History and Culture
article

EDM, Tech-House or Business Techno?

Gaute Barlindhaug
article en

Abstract

This article explores how the term EDM, along with other newer labels for club music, is used among some audiences to distinguish between authenticity and inauthenticity within club culture. The focus is on discussions in social media, with the Facebook group The Worst Techno Memes Ever Group Page (TWTMEGP) as a prime example. For many, both audiences and artists, upholding the legacy from the early days of house and techno is an important mark of authenticity. Applying genre labels that emerged later in the history of club music, like EDM, are interpreted by some as disregarding the early legacy of club and dance music. The contemporary commercial music often associated with EDM, has the potential to frame it as a loaded term. However, it remains difficult for many to define how far audiences and artists can diverge from the original underground roots of house and techno while still being considered authentic. In an analysis of online discussions that frequently ridicule EDM and other newer musical labels, I will exemplify the fluid meanings genre labels can have within club cultural communities, as well as uncover some of the complexity around upholding established ideals of authenticity in club music.

SHILAP Revista de lepidopterología
UiT The Arctic University of Norway (NO)
Openalex Percentile: Top 21%
Music History and Culture
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EDM, Tech-House or Business Techno? — Gaute Barlindhaug · SHILAP Revista de lepidopterología (2025) | TGRS Research Map | TGRS