Getting a Life: Cinematic Representations and Critical Refractions of the Chevalier de Saint-George

In this commentary, I briefly consider, for context, a number of short films focused on the Chevalier Saint-George and films in which the figure of the Chevalier has appeared, before focusing on the 2023 feature-length biopic, Chevalier, directed by Steven Williams. These reflections are focused on the continuities between period piece films, biographical films and adaptations. A term borrowed from French poetics, "ineffacement," helps us to consider the film artist's double duties to their own artistic license and personal engagements, on the one hand, and on their various epistemological and ethical obligations to the historical source material on the other. Chevalier does not succeed as a film in part because it fails to present viewers with the dilemmas of such balancing or to show much evidence of having even considered them. The film does show the renewal of interest in the figure of the Chevalier and promises more attempts to do justice to this inspiring historical character.

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Publication Details

Journal
ALTERNATIVE FRANCOPHONE
Published
2025-12-25
DOI
https://doi.org/10.29173/af29566
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
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article

Getting a Life: Cinematic Representations and Critical Refractions of the Chevalier de Saint-George

Christopher Elson
ALTERNATIVE FRANCOPHONE
Shakespeare, Adaptation, and Literary Criticism
article

Getting a Life: Cinematic Representations and Critical Refractions of the Chevalier de Saint-George

Christopher Elson
article en

Abstract

In this commentary, I briefly consider, for context, a number of short films focused on the Chevalier Saint-George and films in which the figure of the Chevalier has appeared, before focusing on the 2023 feature-length biopic, Chevalier, directed by Steven Williams. These reflections are focused on the continuities between period piece films, biographical films and adaptations. A term borrowed from French poetics, "ineffacement," helps us to consider the film artist's double duties to their own artistic license and personal engagements, on the one hand, and on their various epistemological and ethical obligations to the historical source material on the other. Chevalier does not succeed as a film in part because it fails to present viewers with the dilemmas of such balancing or to show much evidence of having even considered them. The film does show the renewal of interest in the figure of the Chevalier and promises more attempts to do justice to this inspiring historical character.

ALTERNATIVE FRANCOPHONEVol. 3(7)
Dalhousie University (CA)
Peace, Justice and strong institutions
Openalex Percentile: Top 22%
Shakespeare, Adaptation, and Literary Criticism
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Getting a Life: Cinematic Representations and Critical Refractions of the Chevalier de Saint-George — Christopher Elson · ALTERNATIVE FRANCOPHONE (2025) | TGRS Research Map | TGRS