World Music Pedagogy in Practice: Part 3–Teaching/Learning Chinese Music through “Yangguan Sandie”

China’s musical repertoire is as vast and culturally varied as is the country’s geographic expanse. One classic work, “Yangguan Sandie,” is particularly striking as Chinese music that spans multiple historic dynasties, from its first emergence by the Tang’s dynasty’s revered poet, Wang Wei, to the setting of the poem to music in later dynasties (notably the Ming and Qing dynasties), all the way to innovative renderings today that maintain the sentiment and spirit of the poem and earlier musical expressions. Descriptions of China’s wide span of cultures and historic dynasties are provided, along with China’s traditional music and musical instruments, and a contemporary band of prominent musicians who masterfully re-create the ancient music in ways that retain the aesthetic core while offering imaginative new interpretations. A learning pathway aimed at intercultural understanding guides teachers through the five dimensions of World Music Pedagogy, with emphasis on listening, singing, playing, and movement/dance.

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Publication Details

Journal
Journal of General Music Education
Published
2025-12-24
DOI
https://doi.org/10.1177/27527646251396964
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

World Music Pedagogy in Practice: Part 3–Teaching/Learning Chinese Music through “Yangguan Sandie”

Patricia Shehan Campbell, Le Zhang
Journal of General Music Education
Diverse Music Education Insights
article

World Music Pedagogy in Practice: Part 3–Teaching/Learning Chinese Music through “Yangguan Sandie”

Patricia Shehan Campbell, Le Zhang
article en

Abstract

China’s musical repertoire is as vast and culturally varied as is the country’s geographic expanse. One classic work, “Yangguan Sandie,” is particularly striking as Chinese music that spans multiple historic dynasties, from its first emergence by the Tang’s dynasty’s revered poet, Wang Wei, to the setting of the poem to music in later dynasties (notably the Ming and Qing dynasties), all the way to innovative renderings today that maintain the sentiment and spirit of the poem and earlier musical expressions. Descriptions of China’s wide span of cultures and historic dynasties are provided, along with China’s traditional music and musical instruments, and a contemporary band of prominent musicians who masterfully re-create the ancient music in ways that retain the aesthetic core while offering imaginative new interpretations. A learning pathway aimed at intercultural understanding guides teachers through the five dimensions of World Music Pedagogy, with emphasis on listening, singing, playing, and movement/dance.

Journal of General Music EducationVol. 39(3)
Hainan Normal University (CN), University of Washington (US), Seattle University (US)
Quality Education
Openalex Percentile: Top 21%
Diverse Music Education Insights
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World Music Pedagogy in Practice: Part 3–Teaching/Learning Chinese Music through “Yangguan Sandie” — Patricia Shehan Campbell, Le Zhang · Journal of General Music Education (2025) | TGRS Research Map | TGRS