Negotiating Authenticity: The Application of Fashion Conservation Decision-Making to the Treatment of an Altered Garment

Fashion conservation as a facet of textile conservation incorporates a values-based approach that acknowledges the fashionable identity of an object when making treatment decisions. Use of this ethical basis is effective when navigating the competing values of clothing items in a conservation context, which are frequently altered before they enter a museum collection. The treatment of a modified 1920s dress within the Fashion and Textile Collection at the University of Delaware (UD FTC) navigated conflicting design and functional values by discerning the original material composition of the dress and the timeline of alterations. Ultimately the slip was removed, but other possible changes to the original construction were allowed to remain. Contemporary conversations in the conservation of fashion objects were consulted to develop a treatment approach that prioritized elements of the dress connected to the 1920s fashion zeitgeist while maintaining foundational conservation principles of responsible intervention.

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Publication Details

Journal
Journal of Paper Conservation
Published
2025-10-02
DOI
https://doi.org/10.1080/18680860.2025.2579964
Primary Topic
Fashion and Cultural Textiles
Type
article
Field-Weighted Citation Impact
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article

Negotiating Authenticity: The Application of Fashion Conservation Decision-Making to the Treatment of an Altered Garment

Hailey Kremenek
Journal of Paper Conservation
Fashion and Cultural Textiles
article

Negotiating Authenticity: The Application of Fashion Conservation Decision-Making to the Treatment of an Altered Garment

Hailey Kremenek
article en

Abstract

Fashion conservation as a facet of textile conservation incorporates a values-based approach that acknowledges the fashionable identity of an object when making treatment decisions. Use of this ethical basis is effective when navigating the competing values of clothing items in a conservation context, which are frequently altered before they enter a museum collection. The treatment of a modified 1920s dress within the Fashion and Textile Collection at the University of Delaware (UD FTC) navigated conflicting design and functional values by discerning the original material composition of the dress and the timeline of alterations. Ultimately the slip was removed, but other possible changes to the original construction were allowed to remain. Contemporary conversations in the conservation of fashion objects were consulted to develop a treatment approach that prioritized elements of the dress connected to the 1920s fashion zeitgeist while maintaining foundational conservation principles of responsible intervention.

Journal of Paper ConservationVol. 26(3-4)
Department of Cultural Heritage (LT)
Openalex Percentile: Top 19%
Fashion and Cultural Textiles
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