Dead formats, living futures: Speculative nostalgia and the MiniDisc

This paper examines the contemporary revival of Sony’s MiniDisc format through the lens of ‘speculative nostalgia’, a mode of engagement with obsolete technologies that activates unfinished or ‘lost’ futures rather than recreating past experiences. Drawing on semi-structured interviews with music industry professionals and analysis of online communities, the research demonstrates how MiniDisc users frame engagement with this ‘failed’ technology as symbolic resistance to frictionless consumption in an algorithmic culture. Unlike vinyl’s commercial resurgence or cassette culture’s established nostalgia markets, the MiniDisc occupies a marginal space at the fringes of market logics, enabling practices that imagine alternative pathways for media engagement. Its hybrid materiality–both physical and digital–produces productive friction that interrupts the continuous flow of streaming. The paper contributes to format theory and nostalgia studies by arguing that technological failure offers alternative cultural possibilities through embodied, material and ritualistic music practices that challenge the logics of platform capitalism.

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Publication Details

Journal
New Media & Society
Published
2025-12-24
DOI
https://doi.org/10.1177/14614448251404427
Primary Topic
Nostalgia and Consumer Behavior
Type
article
Field-Weighted Citation Impact
0.00
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article

Dead formats, living futures: Speculative nostalgia and the MiniDisc

Richard Frenneaux
New Media & Society
Nostalgia and Consumer Behavior
article

Dead formats, living futures: Speculative nostalgia and the MiniDisc

Richard Frenneaux
article en

Abstract

This paper examines the contemporary revival of Sony’s MiniDisc format through the lens of ‘speculative nostalgia’, a mode of engagement with obsolete technologies that activates unfinished or ‘lost’ futures rather than recreating past experiences. Drawing on semi-structured interviews with music industry professionals and analysis of online communities, the research demonstrates how MiniDisc users frame engagement with this ‘failed’ technology as symbolic resistance to frictionless consumption in an algorithmic culture. Unlike vinyl’s commercial resurgence or cassette culture’s established nostalgia markets, the MiniDisc occupies a marginal space at the fringes of market logics, enabling practices that imagine alternative pathways for media engagement. Its hybrid materiality–both physical and digital–produces productive friction that interrupts the continuous flow of streaming. The paper contributes to format theory and nostalgia studies by arguing that technological failure offers alternative cultural possibilities through embodied, material and ritualistic music practices that challenge the logics of platform capitalism.

New Media & Society
University of Nottingham Ningbo China (CN)
Decent work and economic growth
Openalex Percentile: Top 29%
Nostalgia and Consumer Behavior
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