Resignifying Comics for Multimodal Literary Learning: Lynda Barry’s Pedagogy as Inspiration

This article examines the role of comics within the field of literary education. It pays particular attention to the capacity of comics to build literary competence by cultivating interpretive and storytelling skills. Traditionally marginalized in education due to perceptions of being a minor or inadequate form of reading, comics are now increasingly recognized as complex multimodal literary texts. The article first considers the pedagogical conditions that have facilitated their gradual incorporation into the literature classroom. It then explores the pedagogical potential of comic creation, drawing on the teaching practices of the artist Lynda Barry as a case study to illustrate the intersection between creativity, multimodality and literary analysis. The article argues that comics are not only effective instruments for promoting reading habits but also significant resources for reconfiguring literature pedagogy within a multimodal framework. It concludes that comics can enhance both literary analysis and literary pedagogy, going far beyond their token presence in school libraries.

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Publication Details

Journal
Bellaterra Journal of Teaching & Learning Language & Literature
Published
2025-12-23
DOI
https://doi.org/10.5565/rev/jtl3.1584
Primary Topic
Comics and Graphic Narratives
Type
article
Field-Weighted Citation Impact
0.00
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article

Resignifying Comics for Multimodal Literary Learning: Lynda Barry’s Pedagogy as Inspiration

Maaheen Ahmed, Cristina Aliagas Marín
Bellaterra Journal of Teaching & Learning Language & Literature
Comics and Graphic Narratives
article

Resignifying Comics for Multimodal Literary Learning: Lynda Barry’s Pedagogy as Inspiration

Maaheen Ahmed, Cristina Aliagas Marín
article en

Abstract

This article examines the role of comics within the field of literary education. It pays particular attention to the capacity of comics to build literary competence by cultivating interpretive and storytelling skills. Traditionally marginalized in education due to perceptions of being a minor or inadequate form of reading, comics are now increasingly recognized as complex multimodal literary texts. The article first considers the pedagogical conditions that have facilitated their gradual incorporation into the literature classroom. It then explores the pedagogical potential of comic creation, drawing on the teaching practices of the artist Lynda Barry as a case study to illustrate the intersection between creativity, multimodality and literary analysis. The article argues that comics are not only effective instruments for promoting reading habits but also significant resources for reconfiguring literature pedagogy within a multimodal framework. It concludes that comics can enhance both literary analysis and literary pedagogy, going far beyond their token presence in school libraries.

Bellaterra Journal of Teaching & Learning Language & LiteratureVol. 18(4)
Universitat Autònoma de Barcelona (ES), Ghent University Hospital (BE)
Quality Education
Openalex Percentile: Top 22%
Comics and Graphic Narratives
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