Special Issues on Ukrainian Cinema

This review essay examines three recent English-language special journal issues that mark a significant turn in Ukrainian film scholarship: Slavic and East European Journal, vol. 68, no. 3, Fall 2024, ed. Ana Olenina Hedberg; Cinema: Journal of Philosophy and the Moving Image, vol. 15, no. 1, December 2023, eds. Mariia Lihus and Patricia Castello Branco; and Studies in Russian and Soviet Cinema, vol. 18, no. 3, November 2024, eds. Jeremy Hicks and Leonid Machulin. These volumes collectively challenge the long-standing Russocentric framing of Ukrainian cinema, offering correctives to historiographic gaps and foregrounding overlooked films, filmmakers, and institutions. They span a wide temporal range, from early Soviet era experimentation to post-Maidan documentary movements, and reflect diverse methodological approaches, including historical, philosophical, and political lenses. While these volumes do not replace the long-absent English language history of Ukrainian cinema, they provide a vital foundation for its future development. By amplifying Ukrainian voices and encouraging transnational dialogue, they reframe the field and ignite new directions for research and teaching.

Authors

Publication Details

Journal
DiGZ. Digitalen Zugang zu Wissen demokratisch gestalten e.V.
Published
2025-12-18
DOI
https://doi.org/10.17892/app.2025.00021.410
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
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article

Special Issues on Ukrainian Cinema

Clea Wanner
DiGZ. Digitalen Zugang zu Wissen demokratisch gestalten e.V.
Cinema and Media Studies
article

Special Issues on Ukrainian Cinema

Clea Wanner
article en

Abstract

This review essay examines three recent English-language special journal issues that mark a significant turn in Ukrainian film scholarship: Slavic and East European Journal, vol. 68, no. 3, Fall 2024, ed. Ana Olenina Hedberg; Cinema: Journal of Philosophy and the Moving Image, vol. 15, no. 1, December 2023, eds. Mariia Lihus and Patricia Castello Branco; and Studies in Russian and Soviet Cinema, vol. 18, no. 3, November 2024, eds. Jeremy Hicks and Leonid Machulin. These volumes collectively challenge the long-standing Russocentric framing of Ukrainian cinema, offering correctives to historiographic gaps and foregrounding overlooked films, filmmakers, and institutions. They span a wide temporal range, from early Soviet era experimentation to post-Maidan documentary movements, and reflect diverse methodological approaches, including historical, philosophical, and political lenses. While these volumes do not replace the long-absent English language history of Ukrainian cinema, they provide a vital foundation for its future development. By amplifying Ukrainian voices and encouraging transnational dialogue, they reframe the field and ignite new directions for research and teaching.

DiGZ. Digitalen Zugang zu Wissen demokratisch gestalten e.V.
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Openalex Percentile: Top 22%
Cinema and Media Studies
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