Brewing knowledge: filmmaking as research in experimental archaeology

Drunk? Adventures in sixteenth Century Brewing is a research-based film produced within the ERC-funded FoodCult project (2019–2025). Developed in collaboration with historians, archaeologists, craftspeople, scientists, and filmmakers, the film follows the reconstruction of a sixteenth-century beer through experimental archaeology. The film was conceived, from the outset of the project, as a mode of inquiry, with filmmaking shaping how the reconstruction was interpreted and communicated. This article examines the film as creative practice research, focusing on three dimensions: radical interdisciplinarity, where cinematic and editorial decisions brought different forms of expertise into dialogue; materiality, where framing and sound design highlighted tools, ingredients, and environments as co-actors in the reconstruction; and embodiment, where the camera conveyed tacit skills, sensory awareness, and affective responses. Audience reception, gathered through questionnaires, Q&A discussions, and teaching contexts (cited as pers. comm.), is considered alongside close analysis of the filmmaking to evaluate the project’s dialogical and pedagogical value. We show that filmmaking can operate as a research method in its own right, generating historical insights, facilitating interdisciplinary exchange, and extending the reach of historical inquiry to wider publics.

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Publication Details

Journal
Media Practice and Education
Published
2025-12-22
DOI
https://doi.org/10.1080/25741136.2025.2599450
Primary Topic
Historical and Cultural Archaeology Studies
Type
article
Field-Weighted Citation Impact
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article

Brewing knowledge: filmmaking as research in experimental archaeology

Susan Flavin, Shreepali Patel
Media Practice and Education
Historical and Cultural Archaeology Studies
article

Brewing knowledge: filmmaking as research in experimental archaeology

Susan Flavin, Shreepali Patel
article en

Abstract

Drunk? Adventures in sixteenth Century Brewing is a research-based film produced within the ERC-funded FoodCult project (2019–2025). Developed in collaboration with historians, archaeologists, craftspeople, scientists, and filmmakers, the film follows the reconstruction of a sixteenth-century beer through experimental archaeology. The film was conceived, from the outset of the project, as a mode of inquiry, with filmmaking shaping how the reconstruction was interpreted and communicated. This article examines the film as creative practice research, focusing on three dimensions: radical interdisciplinarity, where cinematic and editorial decisions brought different forms of expertise into dialogue; materiality, where framing and sound design highlighted tools, ingredients, and environments as co-actors in the reconstruction; and embodiment, where the camera conveyed tacit skills, sensory awareness, and affective responses. Audience reception, gathered through questionnaires, Q&A discussions, and teaching contexts (cited as pers. comm.), is considered alongside close analysis of the filmmaking to evaluate the project’s dialogical and pedagogical value. We show that filmmaking can operate as a research method in its own right, generating historical insights, facilitating interdisciplinary exchange, and extending the reach of historical inquiry to wider publics.

Media Practice and Education
Trinity College Dublin (IE), University of the Arts London (GB)
Zero hunger
Openalex Percentile: Top 20%
Historical and Cultural Archaeology Studies
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Brewing knowledge: filmmaking as research in experimental archaeology — Susan Flavin, Shreepali Patel · Media Practice and Education (2025) | TGRS Research Map | TGRS