Thinking Outside of the (Acid-Free) Box:

The article uses the Terry and Jo Harvey Allen Collection housed at the Southwest Collection/Special Collections Library at Texas Tech University as a case study to explore the complexities of mixed-media archival collections containing hybrid artworks. It identifies the need to reframe how archivists, artists, and researchers approach artist collections and calls for greater collaboration between artists and archivists. It examines the challenges of working with these collections and assesses the methodologies and strategies employed by archivists at the Southwest Collection/Special Collections Library at three phases of the archival process: appraisal and acquisition, the development of processing plans and creation of finding aids, and the use of outreach and engagement to address possible limitations of descriptive practices. This article also touches on the complexity of creative partnerships and the added challenges of documenting collaboration within artist records. [This article is a revised version of a paper presented at the 52nd annual ARLIS/NA conference held in Pittsburgh, Pennsylvania, in April 2024 as part of the session “Artworld Networks: Perspectives on Artist and Gallery Records.”]

Authors

Institutions

Publication Details

Journal
Art Documentation Journal of the Art Libraries Society of North America
Published
2025-03-01
DOI
https://doi.org/10.1086/739186
Primary Topic
Digital and Traditional Archives Management
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Thinking Outside of the (Acid-Free) Box:

Katelin Dixon
Art Documentation Journal of the Art Libraries Society of North America
Digital and Traditional Archives Management
article

Thinking Outside of the (Acid-Free) Box:

Katelin Dixon
article en

Abstract

The article uses the Terry and Jo Harvey Allen Collection housed at the Southwest Collection/Special Collections Library at Texas Tech University as a case study to explore the complexities of mixed-media archival collections containing hybrid artworks. It identifies the need to reframe how archivists, artists, and researchers approach artist collections and calls for greater collaboration between artists and archivists. It examines the challenges of working with these collections and assesses the methodologies and strategies employed by archivists at the Southwest Collection/Special Collections Library at three phases of the archival process: appraisal and acquisition, the development of processing plans and creation of finding aids, and the use of outreach and engagement to address possible limitations of descriptive practices. This article also touches on the complexity of creative partnerships and the added challenges of documenting collaboration within artist records. [This article is a revised version of a paper presented at the 52nd annual ARLIS/NA conference held in Pittsburgh, Pennsylvania, in April 2024 as part of the session “Artworld Networks: Perspectives on Artist and Gallery Records.”]

Art Documentation Journal of the Art Libraries Society of North AmericaVol. 44(1)
Texas Tech University (US)
Partnerships for the goals
Openalex Percentile: Top 24%
Digital and Traditional Archives Management
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.