Geometric Art: An Old Way and New Perspectives

Geometric art has accompanied humanity since the earliest epochs of civilization, playing a significant role across various historical periods. With few exceptions, in antiquity, geometric forms were primarily employed for decorative purposes and to convey notions of order and structure, rather than as a deliberate artistic genre. During the Renaissance, several master artists utilized geometry to refine their works, aligning them more closely with reality. In contrast, the analysis of modern artistic movements—such as Cubism, Futurism, Suprematism, De Stijl, Constructivism, the Bauhaus School, and Art Deco—reveals how geometric forms were harnessed to produce advanced artistic expressions that transcended conventional standards. This thesis explores the influence of individualism in art, with a particular focus on the use of geometric forms. Individualism has liberated artists from traditional constraints, fostering experimentation and diversity in both approach and technique. This shift has led to a rich array of artistic expressions that reflect the complex realities of contemporary society. While this creative freedom has yielded notable benefits—such as the emergence of unique voices and the exploration of new media—it also presents challenges, including a lack of coherence and the potential isolation of artists. In light of these dynamics, the final section of this thesis offers reflections on the impact of individualism in art and examines the potential for rechanneling artistic creativity into more structured pathways. By evaluating the advantages and drawbacks of such a return, the work aims to provide a fresh and meaningful perspective on the future of art.