Optimizing the Legal Rights and Management of Music Collective Societies in Nigeria: Lessons from South African Music Rights Organization Model (SAMRO)

It is becoming trite understanding that the importance of competent functioning of the African music industry’s legal framework and music monetization mechanisms cannot be overemphasized. This functioning connotes a three-pronged mechanism which pilots the utilization of music rights: legislation, administration and enforcement. The metamorphosis of Afrobeats and African music into a global entertainment phenomenon posits a platform for its geometric emergence to serve as a harbinger of the possibilities of maximizing the internal management and administration of the billion-dollar African music industry and its systems. Following up such burgeoning growth is the necessity for the internal mechanisms of the systems of managing the music intellectual property rights. Such functioning capacities cuts across managing music rights, collecting royalties, and distributing payments to artists. These functions cannot be effectively administered individually, but by Collective Management Organizations. The aim of this paper is to provide an appraisal of the working system of music rights collective societies of South Africa’s music collective society: the Southern African Music Rights Organization (SAMRO) in analyzing and fixing the pitfalls of the rights administrative and management system of the Music Copyright Society of Nigeria (MCSN). Adopting the doctrinal methodology of research, this paper identifies best practices from SAMRO to enhance MCSN's effectiveness in a comparative analysis of the functional structure and operational framework of the two collective societies. This paper finds key areas such as organizational structure, rights administration, royalty distribution, technological infrastructure, and regulatory compliance; highlighting strengths and limitations within each organization’s approach in order to strengthen MCSN. This paper concludes that the effectiveness of Nigeria’s collective rights management depends on modernizing MCSN’s structures through a legislative re-calibration of the Copyrights Act, technological innovation and transparent royalty administration. Drawing from SAMRO’s tested model, Nigeria can build a globally competitive framework that secures fair compensation for creators.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-12-18
DOI
https://doi.org/10.5281/zenodo.17974755
Primary Topic
Copyright and Intellectual Property
Type
article
Field-Weighted Citation Impact
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article

Optimizing the Legal Rights and Management of Music Collective Societies in Nigeria: Lessons from South African Music Rights Organization Model (SAMRO)

Zenodo (CERN European Organization for Nuclear Research)
Copyright and Intellectual Property
article

Optimizing the Legal Rights and Management of Music Collective Societies in Nigeria: Lessons from South African Music Rights Organization Model (SAMRO)

article en

Abstract

It is becoming trite understanding that the importance of competent functioning of the African music industry’s legal framework and music monetization mechanisms cannot be overemphasized. This functioning connotes a three-pronged mechanism which pilots the utilization of music rights: legislation, administration and enforcement. The metamorphosis of Afrobeats and African music into a global entertainment phenomenon posits a platform for its geometric emergence to serve as a harbinger of the possibilities of maximizing the internal management and administration of the billion-dollar African music industry and its systems. Following up such burgeoning growth is the necessity for the internal mechanisms of the systems of managing the music intellectual property rights. Such functioning capacities cuts across managing music rights, collecting royalties, and distributing payments to artists. These functions cannot be effectively administered individually, but by Collective Management Organizations. The aim of this paper is to provide an appraisal of the working system of music rights collective societies of South Africa’s music collective society: the Southern African Music Rights Organization (SAMRO) in analyzing and fixing the pitfalls of the rights administrative and management system of the Music Copyright Society of Nigeria (MCSN). Adopting the doctrinal methodology of research, this paper identifies best practices from SAMRO to enhance MCSN's effectiveness in a comparative analysis of the functional structure and operational framework of the two collective societies. This paper finds key areas such as organizational structure, rights administration, royalty distribution, technological infrastructure, and regulatory compliance; highlighting strengths and limitations within each organization’s approach in order to strengthen MCSN. This paper concludes that the effectiveness of Nigeria’s collective rights management depends on modernizing MCSN’s structures through a legislative re-calibration of the Copyrights Act, technological innovation and transparent royalty administration. Drawing from SAMRO’s tested model, Nigeria can build a globally competitive framework that secures fair compensation for creators.

Zenodo (CERN European Organization for Nuclear Research)
Industry, innovation and infrastructure
Openalex Percentile: Top 30%
Copyright and Intellectual Property
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