Symbolism of Child Trauma in The Sand Castle

The Sand Castle is a film that represents the experience of child trauma in the context of war through subtle visual symbols that are not expressed verbally. The study of child trauma in visual media is important because traumatic experiences at an early age often appear implicitly, thus requiring an interpretive approach to be understood more deeply. This research aims to: (1) identify visual symbols that represent child trauma, (2) analyze the relationship between signifier and signified based on Ferdinand de Saussure's semiotic framework, and (3) explain the function of the imaginative world of child characters as a medium of representation of traumatic experiences. This research uses a descriptive-qualitative method with structural semiotic analysis. The research data consisted of selected scenes featuring non-verbal expressions, symbolic objects, and a visual atmosphere consistent with the representation of trauma. The selection of data was purposive, while the analysis was carried out in three stages: identification of sign units, grouping of meanings, and interpretation of sign relationships in psychological contexts. The results show that visual symbols, such as shipwrecks, shadows, and objects belonging to other characters, contain emotional content that represents loss, fear, and hope. In addition, the imaginative world of the child characters is shown to function as a symbolic mechanism to express suffering that is difficult to articulate directly. These findings indicate that film not only presents an aesthetic narrative, but can also be a reflective medium to understand the dynamics of child trauma. Thus, this research contributes to the study of trauma psychology while expanding the perspective of visual media studies on the representation of children's suffering in the context of conflict.

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Publication Details

Journal
Lingua Cultura
Published
2025-10-09
DOI
https://doi.org/10.21512/lc.v19i2.13694
Primary Topic
Literary Theory and Cultural Hermeneutics
Type
article
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article

Symbolism of Child Trauma in The Sand Castle

Lingua Cultura
Literary Theory and Cultural Hermeneutics
article

Symbolism of Child Trauma in The Sand Castle

article en

Abstract

The Sand Castle is a film that represents the experience of child trauma in the context of war through subtle visual symbols that are not expressed verbally. The study of child trauma in visual media is important because traumatic experiences at an early age often appear implicitly, thus requiring an interpretive approach to be understood more deeply. This research aims to: (1) identify visual symbols that represent child trauma, (2) analyze the relationship between signifier and signified based on Ferdinand de Saussure's semiotic framework, and (3) explain the function of the imaginative world of child characters as a medium of representation of traumatic experiences. This research uses a descriptive-qualitative method with structural semiotic analysis. The research data consisted of selected scenes featuring non-verbal expressions, symbolic objects, and a visual atmosphere consistent with the representation of trauma. The selection of data was purposive, while the analysis was carried out in three stages: identification of sign units, grouping of meanings, and interpretation of sign relationships in psychological contexts. The results show that visual symbols, such as shipwrecks, shadows, and objects belonging to other characters, contain emotional content that represents loss, fear, and hope. In addition, the imaginative world of the child characters is shown to function as a symbolic mechanism to express suffering that is difficult to articulate directly. These findings indicate that film not only presents an aesthetic narrative, but can also be a reflective medium to understand the dynamics of child trauma. Thus, this research contributes to the study of trauma psychology while expanding the perspective of visual media studies on the representation of children's suffering in the context of conflict.

Lingua CulturaVol. 19(2)
Universitas Islam Negeri Maulana Malik Ibrahim (ID)
Openalex Percentile: Top 24%
Literary Theory and Cultural Hermeneutics
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