momentum VIII: ‘How to culturally hybridize?’ Andrea Pagnes in conversation with Chinasa Ezugha

‘How to culturally hybridize?’ is a conversation from the momentum series that took place in April 2025 at New York University (NYU) Abu Dhabi between artist and writer Andrea Pagnes and artist and researcher Chinasa Ezugha. They meet to discuss questions about the complex, layered identities among Igbo, Nigerian and British cultures, as well as the colonial power structures that underpin them. They speak openly about sensitive topics that touch upon the struggles and effects of racism, female migrants, intersectional feminism, and language as resistance, faith-based action and abuse within communities. They share experiences of discrimination and gatekeeping of opportunities related to inclusivity and labour and introduce Ezugha’s ongoing research, which focuses on food as a form of warfare. They conclude by envisioning performance art as an existential practice capable of provoking reflection and action. To view the video recording of this interview, please visit https://www.youtube.com/watch?v=TH9_ItCFLPk.

Institutions

Publication Details

Journal
Performing Ethos International Journal of Ethics in Theatre and Performance
Published
2025-10-01
DOI
https://doi.org/10.1386/peet_00082_7
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

momentum VIII: ‘How to culturally hybridize?’ Andrea Pagnes in conversation with Chinasa Ezugha

Performing Ethos International Journal of Ethics in Theatre and Performance
Postcolonial and Cultural Literary Studies
article

momentum VIII: ‘How to culturally hybridize?’ Andrea Pagnes in conversation with Chinasa Ezugha

article en

Abstract

‘How to culturally hybridize?’ is a conversation from the momentum series that took place in April 2025 at New York University (NYU) Abu Dhabi between artist and writer Andrea Pagnes and artist and researcher Chinasa Ezugha. They meet to discuss questions about the complex, layered identities among Igbo, Nigerian and British cultures, as well as the colonial power structures that underpin them. They speak openly about sensitive topics that touch upon the struggles and effects of racism, female migrants, intersectional feminism, and language as resistance, faith-based action and abuse within communities. They share experiences of discrimination and gatekeeping of opportunities related to inclusivity and labour and introduce Ezugha’s ongoing research, which focuses on food as a form of warfare. They conclude by envisioning performance art as an existential practice capable of provoking reflection and action. To view the video recording of this interview, please visit https://www.youtube.com/watch?v=TH9_ItCFLPk.

Performing Ethos International Journal of Ethics in Theatre and PerformanceVol. 15(2)
University of the Arts (US), University of Music and Performing Arts Graz (AT)
Gender equality
Openalex Percentile: Top 25%
Postcolonial and Cultural Literary Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.