Bearing witness through theatre: Andrea Pagnes in conversation with Mustafa Sheta, general manager and producer of The Freedom Theatre, Jenin

This interview with Mustafa Sheta, general manager of The Freedom Theatre in Jenin Refugee Camp, explores theatre as a form of survival and resistance amid occupation and genocide. For Sheta, theatre is not merely a metaphor. It embodies muscle, memory and movement. Rehearsals take place beneath drones. Performances endure amidst rubble. Every spoken word – poetry resists being erased. The Freedom Theatre functions as both a sanctuary and a cultural weapon – a space for creativity, healing and vision. It is a frontline where cultural resistance challenges silence and oppression. Mustafa Sheta brings us to reflect on grief as an ongoing process, wounds and scars becoming an expression of both uprising and tenderness, the passing of memory through generations, and the importance of global solidarity in amplifying Palestinian voices against colonial arrogance. Theatre, he highlights, acts as a counter-archive that preserves truth, dignity and hope when official narratives and political frameworks falter. Performance arises as a device for testimony, defiance and daring dreaming: a delicate yet vital act that affirms Palestinians’ unbeatable endurance to continue existence and resistance to envision alternative futures.

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Publication Details

Journal
Performing Ethos International Journal of Ethics in Theatre and Performance
Published
2025-10-01
DOI
https://doi.org/10.1386/peet_00078_7
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Bearing witness through theatre: Andrea Pagnes in conversation with Mustafa Sheta, general manager and producer of The Freedom Theatre, Jenin

Performing Ethos International Journal of Ethics in Theatre and Performance
Theatre and Performance Studies
article

Bearing witness through theatre: Andrea Pagnes in conversation with Mustafa Sheta, general manager and producer of The Freedom Theatre, Jenin

article en

Abstract

This interview with Mustafa Sheta, general manager of The Freedom Theatre in Jenin Refugee Camp, explores theatre as a form of survival and resistance amid occupation and genocide. For Sheta, theatre is not merely a metaphor. It embodies muscle, memory and movement. Rehearsals take place beneath drones. Performances endure amidst rubble. Every spoken word – poetry resists being erased. The Freedom Theatre functions as both a sanctuary and a cultural weapon – a space for creativity, healing and vision. It is a frontline where cultural resistance challenges silence and oppression. Mustafa Sheta brings us to reflect on grief as an ongoing process, wounds and scars becoming an expression of both uprising and tenderness, the passing of memory through generations, and the importance of global solidarity in amplifying Palestinian voices against colonial arrogance. Theatre, he highlights, acts as a counter-archive that preserves truth, dignity and hope when official narratives and political frameworks falter. Performance arises as a device for testimony, defiance and daring dreaming: a delicate yet vital act that affirms Palestinians’ unbeatable endurance to continue existence and resistance to envision alternative futures.

Performing Ethos International Journal of Ethics in Theatre and PerformanceVol. 15(2)
University of the Arts (US), University of Music and Performing Arts Graz (AT)
Peace, Justice and strong institutions
Openalex Percentile: Top 25%
Theatre and Performance Studies
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